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Results for "C. Michael Bailey"
Mike Nielsen Quartet: Acoustic Sound Recipes
by C. Michael Bailey
In 2005, American expat singer Ellen Demos released Osmosis (Self Produced), featuring Ireland's Mike Nielsen. The Irish guitarist now leads the aptly titled travelogue, Acoustic Sound Recipes, an aural journey through many different styles of music, often divided on ethnic borders. The instrumentation is spare, amounting to only Nielsen's guitar, Demos' voice, Brendan ...
R|E|D|S: Sign of Four
by C. Michael Bailey
R|E|D|S is a quartet made up of an American expatriate and three Danes: baritone saxophonist Ed Epstein, guitarist Bjarne Roupe, bassist Goran Schelin and drummer Dennis Drud. Epstein and Roupe are close friends, and the saxophonist wanted a vehicle in which to collaborate with the guitarist. With this exegesis, the quartet was born. ...
Thomas Marriott: Human Spirit
by C. Michael Bailey
Human Spirit is trumpeter Thomas Marriott's seventh critically well-received recording for the West Coast Origin Records label. Marriott shakes things up by using an organ trio format as his vehicle, to quite great effect. Marriott and his merry Origin Records band pushes forth the definition of the new" West Coast jazz, while at the same time ...
Animation: Asiento
by C. Michael Bailey
Jam bands Phish and Gov't Mule have been making a cottage industry of covering a famous LP for their respective Halloween concerts (the bands' costumes," so to speak). In 2010, we were treated to Little Feat's Waiting for Columbus (Warner Brothers, 1978) and The Who's Who's Next (MCA, 1975), respectively. It is not ...
Shawn Bell Quintet: Things Yet Unknown
by C. Michael Bailey
Trombonist Shawn Bell wants to sate the appetite of avid brass lovers with his Things Yet Unknown. He hosts a trombone/trumpet (or flugelhorn) frontline quintet that is, at once, smooth and bright. This slim release comprises seven selections, five of which are original compositions. Bell is a conservative sort, opting to mostly stay in the mainstream; ...
Vienna Philharmonic, Christian Theilemann: Beethoven Symphonies Nos. 1-3
by C. Michael Bailey
Vienna Philharmonic, Christian TheilemannBeethoven Symphonies Nos. 1-3Unitel2010 Tempo warning: Christian Theilemann's Beethoven is not the one we have become accustomed to over during the 25 year spasm of historically informed" or period" performance. Theilmann's tempi are informed by the late Romantic conductors/composers and evidenced in his Wagner ...
Julia Wedman: Biber - Mystery Sonatas
by C. Michael Bailey
Before Perlman, Mutter and Mullova were Grumiaux, Heifetz and Stern. Preceding them were Berwald, Spohr and Paganini, and prior to them were Benda, Cannabich and Stamitz. Predating those composers were Vivaldi, Corelli and Bach. And, finally, before all of them was Heinrich Ignaz Franz Biber (1644-1704). Biber was the foremost violinist and composer for the violin ...
Sammy Nestico and the SWR Big Band: Fun Time and More Live
by C. Michael Bailey
Big band jazz has evolved into its own avant-garde art form, where the arrangements have become progressively more complex and cerebral. Not that there is anything wrong with that, but it does make for a different type of big band listening experience. Modern big band jazz, in some quarters, has veered off into a non-swinging, Stan ...
The Evan Moore Quartet: Little Rock, March 5, 2011
by C. Michael Bailey
The Evan Moore Quartet Featuring Brittany CampbellJerry B'sLittle Rock, ArkansasMarch 5, 2011 Few will mistake Little Rock, Arkansas for a jazz mecca. The city was not the jazz hotbed that Kansas City and Memphis were. but that does not mean that there is no jazz in the city. In the ...
Dan Wilensky: To Whom Much is Given...
by C. Michael Bailey
Tenor saxophonist Dan Wilensky is a Renaissance Man and an educator, both facets of his character evidenced in his musicians' guide, Musician!, and the album If You Only Knew. What Wilensky provides over these two offerings is a masterclass in tasteful and well-behaved musicianship in the real world. No booze- swilling or reefer madness here, only ...




