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Ed Motta: Minha Vida Toda Com Você
by C. Andrew Hovan
If you thought bossa nova and samba was all there is to know about Brazilian music, let me introduce you to Ed Motta. A true renaissance man, Motta has big ears and melds into his own unique style everything from spiritual jazz to Steely Dan. He also is a master of many instruments, as you can ...
44th Annual Tri-C JazzFest
by C. Andrew Hovan
44th Annual Tri-C JazzFest Playhouse Square Cleveland, Ohio June 22-24, 2023 Flanked by a spectacular outdoor chandelier, Cleveland's Playhouse Square has become the largest performing arts mecca outside of New York City. It has also been home to Tri-C JazzFest ever since the event decided to make the calendar move from ...
Ryan Kisor: Awakening
by C. Andrew Hovan
A man of few words, Ryan Kisor chooses to let his horn do the speaking and obviously it has said volumes over the years when you consider that the trumpeter is one of a select few musicians who has managed to sustain a viable career past the heydays of the jazz renaissance of the '80s and ...
Ryan Kisor: Power Source
by C. Andrew Hovan
Taking full advantage of what might be termed his “second wind," Ryan Kisor has grown into one of the most mature trumpeters of his generation. Back in 1990 when he impressed his elders by taking the prize at the Thelonious Monk Institute trumpet competition, things appeared promising and a major record label deal even came through ...
Karl-Henrik Ousbäck: Confluence
by C. Andrew Hovan
Drummers do not always get the respect they deserve and yet, in a jazz context, their contributions are an integral part in the overall success of the music. Aside from genre leaders such as Tony Williams, Elvin Jones, and Art Blakey, relatively few drummer-led sessions have entered into the upper echelon of recorded jazz ...
David Kikoski: Surf's Up
by C. Andrew Hovan
It seems that the show tunes of the '30s, '40s, and '50s have served as fodder for several generations of jazz musicians, either providing their own melodies for subsequent development or lending their harmonic framework for the jazz writer to use as a basis for an original tune. Most recently, we've seen attention begin to shift ...
Conrad Herwig: A Voice Through the Door
by C. Andrew Hovan
In the challenging economic and political climate of present day, it seems that much time is spent on matters of only fleeting importance. Furthermore, it seems that our culture has experienced a paradigm shift that places more emphasis on immediacy and instant fulfillment and less on rumination and appreciation of more profound matters. On the one ...
Conrad Herwig: Land of Shadow
by C. Andrew Hovan
In the spirit of Miles Davis and a select number of his followers, Conrad Herwig in the course of his musical endeavors spanning some 20 years has strived to keep the music inching forward to new and previously undiscovered vistas. His versatility as demonstrated by an ability to transcend genres, be it Eddie Palmieri's Afro-Cuban muse ...
David Hazeltine: Inversions
by C. Andrew Hovan
It's often said that those with enviable skills make the most sophisticated actions look easy. Be it glass blowing or ice-skating, what appears to be within the grasp of the novice often involves an underlying complexity not readily apparent at first. The same could be said of higher forms of music such as classical and jazz. ...
David Hazeltine: Blues Quarters, Vol.2
by C. Andrew Hovan
A lot of water has passed under the proverbial bridge since the last time that David Hazeltine got together with Eric Alexander for the initial 1998 session billed as Blues Quarters Vol.1 (Criss 1188). As strong a showing as the pianist and his cohorts made on that initial release, I think all would agree this latest ...
