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6

Article: Extended Analysis

Alex LoRe Trio: Dream House

Read "Alex LoRe Trio: Dream House" reviewed by Florence Wetzel


Dream House is the excellent debut release by the Alex LoRe Trio, nearly an hour of beautiful music from LoRe on alto sax, Desmond White on bass, and Colin Stranahan on drums. LoRe hails from Florida, and in addition to formal studies at New England Conservatory of Music and Manhattan School of Music, he's worked with ...

10

Article: Album Review

Nils Davidsen: Noget at glæde sig til: Solo Outburst In Various Frames Part I

Read "Noget at glæde sig til: Solo Outburst In Various Frames Part I" reviewed by Henning Bolte


Now and then a heavy instrument with low and deep resonance can sound very light; now and then a series of freely combined tones can nonetheless have a strong melodic feel; and now and then very mobile playing can sound tranquil. The double bass is a heavy, low register instrument, but in the hands of some ...

7

Article: Interview

Rudresh Mahanthappa: Integrity

Read "Rudresh Mahanthappa: Integrity" reviewed by George Colligan


[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth] I had only met Rudresh Mahanthappa once briefly; we played with different bands at a gig at the Library of Congress in Washington, D.C. I was subbing with Miguel Zenon [while] he was performing with Vijay Iyer's quartet. I always found ...

4

Article: Interview

Lonnie Plaxico: Being Your Own Bird

Read "Lonnie Plaxico: Being Your Own Bird" reviewed by George Colligan


Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth] Electric and acoustic bassist Lonnie Plaxico has been on the jazz scene in New York since 1980. He is on hundreds of recordings with everyone from Art Blakey, Cassandra Wilson, Jack Dejohnette, to Ravi Coltrane. He has 13 CDs as a leader, ...

3

Article: Album Review

Barnicle Bill Trio: No Black Tie

Read "No Black Tie" reviewed by Ian Patterson


Barnicle Bill Trio dates to 2009, when drummer John Engels, bassist Mark Haanstra and alto saxophonist Miguel Martinez moved beyond jam sessions to the recording studio. BBT's eponymous debut (Self Produced, 2010) served up straight ahead, old-school jazz standards, with singer-songwriter Elvis Costello's “Almost Blue" the sole nod to modern times. BBT's second recording features another ...

3

Article: Live Review

Ottawa Jazz Festival, Days 4-8: June 21-23, 2012

Read "Ottawa Jazz Festival, Days 4-8: June 21-23, 2012" reviewed by John Kelman


Days 1-3 | Days 4-8 TD Ottawa International Jazz FestivalOttawa, CanadaJune 21-Jul 1, 2012With a total of five main venues--the main stage at Confederation Park, the Studio and Fourth Stage in the National Arts Centre, the OLG Stage tent across the street from Confederation Park at City ...

Article: Interview

Bunky Green: avanti tutta, nella continuità

Read "Bunky Green: avanti tutta, nella continuità" reviewed by AAJ Italy Staff


Intervista di Anil Prasad Al sassofonista Bunky Green l'idea di suonare secondo le regole non va proprio a genio. In più di una occasione il musicista, originario di Milwaukee, è stato a un passo dall'entrare nel gotha dei jazzisti famosi, ma ogni volta i suoi principi lo hanno portato altrove. Ecco perché pur così influente è ...

59

News: Interview

Saxophonist Bunky Green Interviewed at All About Jazz!

Saxophonist Bunky Green Interviewed at All About Jazz!

Saxophonist Bunky Green bristles at the idea of playing by the rules. On more than one occasion, the Milwaukee, Wisconsin native was on his way to jazz stardom, but each time his principles guided him elsewhere. This is a significant reason why the highly influential musician has mostly remained unsung and out of the spotlight for ...

213

Article: Interview

Bunky Green: Urgency and Continuity

Read "Bunky Green: Urgency and Continuity" reviewed by Anil Prasad


Saxophonist Bunky Green bristles at the idea of playing by the rules. On more than one occasion, the Milwaukee, Wisconsin native was on his way to jazz stardom, but each time his principles guided him elsewhere. This is a significant reason why the highly influential musician has mostly remained unsung and out of the spotlight for ...

137

Article: Live Review

Newport Jazz Festival 2011, 4-7 de agosto

Read "Newport Jazz Festival 2011, 4-7 de agosto" reviewed by Joan A. Cararach


Newport Jazz FestivalDel 4 al 7 de agosto, 2011Newport, Rhode Island, Estados Unidos Prólogo: como Moisés en Fort Adams (y cantando con Pete Seeger) Un carrito de golf se detiene en la entrada del túnel que lleva del llamado escenario Quad al Harbor Stage. Chubasqueros y paraguas se detienen ante ...


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