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Musician

Buell Neidlinger

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Article: Album Review

Cecil Taylor: Mixed to Unit Structures Revisited

Read "Mixed to Unit Structures Revisited" reviewed by Giuseppe Segala


La pubblicazione di Mixed To Unit Structures, nella meritevole collana Revisited Series della Ezz-thetics, sotto-etichetta della svizzera Hat Hut, riunisce due date di registrazione importanti nella vicenda di Cecil Taylor, distribuite tra l'ottobre 1961 e il maggio 1966. La prima, composta dai tre brani “Pots," “Bulbs" e “Mixed," era stata pubblicata dall'etichetta Impulse! nel disco Into ...

Article: Album Review

Lucas Gillan's Many Blessings: Chit-Chatting with Herbie

Read "Chit-Chatting with Herbie" reviewed by Angelo Leonardi


Questo nuovo omaggio a Herbie Nichols è stato pubblicato nel 2019, nel centenario della nascita del grande pianista. Protagonista è il batterista di Chicago Lucas Gillan, al suo secondo album col gruppo Many Blessings. Originario dell'Arizona, Gillan opera da alcuni anni nella Windy City e il suo pianoless quartet coniuga un'ampia serie di ...

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Article: Radio & Podcasts

A Herbie Nichols' Centennial - Part II

Read "A Herbie Nichols' Centennial - Part II" reviewed by Ludovico Granvassu


The second part of this week's tribute to Herbie Nichols focuses on the work of champions of his music like Roswell Rudd, Misha Mengelberg, Steve Lacy and, again, the Herbie Nichols Project with some never-heard-before live recordings from the vaults of the Jazz Composers Collective. For the first part of this Herbie Nichols special ...

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Article: Album Review

Frank Kimbrough: Monk's Dreams: The Complete Compositions of Thelonious Sphere Monk

Read "Monk's Dreams: The Complete Compositions of Thelonious Sphere Monk" reviewed by Angelo Leonardi


Fino a che punto può spingersi la rilettura del songbook monkiano senza alterare l'estetica e la profondità emotiva del suo autore? Le rivisitazioni degli ultimi decenni hanno privilegiato l'esaltazione dei suoi tratti asimmetrici (le melodie sghembe, i conflitti ritmici, le armonie dissonanti) usando quei brani come pretesto per esplorazioni d'avanguardia. Quando si è usato quel repertorio ...

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Article: Building a Jazz Library

Cecil Taylor

Read "Cecil Taylor" reviewed by John Eyles


On April 5th 2018, the world lost pianist, composer, poet and iconoclast Cecil Taylor, at age 89. Taylor was the last surviving member of a generation of players who gave birth to the music variously labelled as avant-garde, fire music or free jazz, although some sources jointly credit Taylor and Ornette Coleman as its originators.

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Article: Live Review

MONK'estra at SFJAZZ Center

Read "MONK'estra at SFJAZZ Center" reviewed by Harry S. Pariser


MONK'estraSFJAZZ CenterSan Francisco, CAAugust 22, 2013The music of the legendary Thelonious Monk (October 10, 1917-February 17, 1982) has rarely been heard in a big band setting. The second most-recorded jazz composer after Duke Ellington, Monk's music is nothing if not popular. While Ellington composed over a thousand songs, Monk penned only ...

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Article: Highly Opinionated

Roswell Rudd: The Musical Magus Turns 75

Read "Roswell Rudd: The Musical Magus Turns 75" reviewed by Raul d'Gama Rose


"Years ago it would have seemed an impossible dream to get to record with this musical magus, but here we are... and what a thrill!" class="f-right">--Charlie Kohlhase, From liner notes to Eventuality: The Charlie Kohlhase Quintet Plays the Music of Roswell Rudd (Nada, 2001) I see him suddenly as if in a ...

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News: Recording

Buell Neidlinger Quartet LIve at Ravenna Jazz '87 With Special Guest Steve Lacy

K2B2 Records (k2b2.com) has just released a new CD—Buell Neidlinger Quartet Live at Ravenna Jazz '87 With Special Guest Steve Lacy (K2B2 3969). This live concert was the first time since 1959 that Neidlinger and Steve Lacy would play music together. They last played together at the NYC Cecil Taylor sessions for Candid Records. Supported by ...

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Article: Book Excerpts

Cecil Taylor at the Take 3, 1962-'63

Read "Cecil Taylor at the Take 3, 1962-'63" reviewed by Robert Levin


[Editor's Note: Excerpted and adapted from a work-in-progress, Going Outside: A Memoir of Free Jazz & the '60s] In the summer of 1962, Cecil lands a three-month, four-night-a-week gig at The Take 3, a coffee house on Bleecker Street. It's right next door to The Bitter End where Woody Allen had performed just ...


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