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Article: Album Review

Chico Hamilton: The Inquiring Mind

Read "The Inquiring Mind" reviewed by Angelo Leonardi

by Angelo Leonardi
April 30, 2014

Chico Hamilton ci ha lasciato un affascinante testamento musicale, realizzato lo scorso anno all'età di 92 anni, qualche mese prima di morire. Il titolo del disco sottolinea la caratteristica saliente della mente del batterista e compositore: quella vivace curiosità che l'ha mantenuto spiritualmente giovane ed ha alimentato l'eclettismo del suo stile. Chico non ...

Article: Extended Analysis

Red Norvo: Four Classic Albums

by David Rickert
March 18, 2014

Red Norvo played the vibes while leading his own band during the swing era and grew into smaller groups in the forties and fifites once the practicality of leading a large ensemble became too much. He was one of the first to specialize of what has always been somewhat of an unusual instrument for jazz, but ...

News: Obituary

NEA Jazz Master Chico Hamilton Dead At 92

November 26, 2013

Jazz Legend Chico Hamilton Dead at 92 “I'm happy to say that I'm able to find people wherever I go that are not black, not white- they're just human beings. I don't dig staying in one groove. At this stage of my life, I've dedicated myself to playing what I want to play, how I want ...

Article: Big Band Report

Swingin' on a Riff . . . Hangin' by a Thread?

by Jack Bowers
June 14, 2013

Betty and I returned to Albuquerque on Memorial Day after attending Swingin' on a Riff, the latest in a series of marvelous semi-annual events presented by Ken Poston and the Los Angeles Jazz Institute for more than twenty years at venues in and around L.A. This one was held May 23-26 at the Los Angeles Marriott ...

Article: Book Review

Marc Myers: Why Jazz Happened

by Ian Patterson
October 28, 2012

Why Jazz HappenedMarc Myers266 pagesISBN 9780520268784University of California Press2012Jazz's timeline and the iconic figures of each of its successive stylistic movements are well known to aficionados. Less well understood, however, are the underlying conditions that created these changes. Advances in recording technologies, social trends, ...

News: Interview

JazzClip: Buddy Collette

September 21, 2012

Buddy Collette could play just about every reed and woodwind instrument proficiently. As a result, the West Coast musician was called often by studio contractors and session leaders for pop and jazz recordings. But Buddy's ability transcended technique. His sound was full, seductive and brimming with energy. Buddy also was a major civil rights figure, which ...

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Article: Big Band Report

"Modern Sounds," or: Running a Marathon in Full Body Armor

by Jack Bowers
November 8, 2011

From October 19-25 Betty and I were at the Los Angeles Marriott Airport Hotel to attend Modern Sounds, the L.A. Jazz Institute's four-day salute to West Coast jazz, followed by a day-long tribute to Stan Kenton on the hundredth anniversary of the legendary bandleader's birth. We arrived a day early to be primed and ready for ...

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News: TV / Film

Playboy "Jazz On Film" Night Set for June 8th

June 7, 2011

Acclaimed jazz archivist Mark Cantor will return to host the Playboy Jazz Festival's annual “Jazz on Film" night, Wednesday June 8th at 7:30 p.m. The event will be held again this year in cooperation with Ebony Repertory Theatre at the Nate Holden Performing Arts Center (NHPAC) on Washington Boulevard. Admission is free, although tickets are required. ...

News: Music Industry

Good News For LA's Jazz Community

January 26, 2011

The jazz community has, too often, endured bad news. This sad reality recently manifested in the deaths of legends James Moody, Lena Horne, Billy Taylor and Buddy Collette, among others. The loss of the music's great instrumentalists and vocalists to the ravages of time and disease is, of course, inevitable, though no less painful. Like these ...

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Article: Extended Analysis

Chico Hamilton Quintet: Three Classic Albums

by David Rickert
January 20, 2011

Chico Hamilton QuintetThree Classic AlbumsAvid Records2010 The first thing the Chico Hamilton Quintet had going for it was unusual instrumentation. The quintet built its sound around the cello, and featured guitar, bass, either flute or clarinet (with the occasional sax), and Hamilton on drums, forgoing the sticks for ...