Home » Search Center » Results: Budd Kopman

Results for "Budd Kopman"

Advanced search options

196

Article: Album Review

Claudio Scolari: The My Fourteen Songs

Read "The My Fourteen Songs" reviewed by Budd Kopman


The My Fourteen Songs is Claudio Scolari's first release since 2005's Reflex (Principal). That album used many different sounds, textures and ambiences through electronics, drums and voices in order to explore the emotions that could be induced in the listener. Scolari's current effort is a much more stripped-down affair with only drums, synthesizer, ...

174

Article: Album Review

Howard Leshaw: Bronx Volume II: Yiddish On The Edge

Read "Bronx Volume II: Yiddish On The Edge" reviewed by Budd Kopman


Howard Leshaw is not only the swinging jazz master of the delightful Shadow Song, he is also a klezmer master. Yiddish On The Edge is the followup release to the more traditional Yiddish, which is closer to what is customarily thought of as klezmer. If you hail from Tulsa or Boise or Reykjavik, ...

274

Article: Album Review

Kelly Jefferson: Spark

Read "Spark" reviewed by Budd Kopman


Spark, a deeply swinging, straight-ahead, no nonsense album from Kelly Jefferson, is a terrific listen from beginning to end. Canada strikes again! The eight tracks, all original Jefferson compositions, are on the long side, most ranging from seven to eleven minutes, which allows for some extended soloing and interesting arrangements. Jefferson has a ...

220

Article: Album Review

Francois Carrier: Happening

Read "Happening" reviewed by Budd Kopman


Listeners who have followed multiple reed player François Carrier, particularly his two 2004 releases Play (482 Music) and Traveling Lights (Justin Time), will welcome this double-CD offering on Leo. Not only is Happening a double dose of outstanding freely improvised (as opposed to “free") jazz, but it is recorded live. Carrier's long-time trio partners Pierre Cote ...

281

Article: Album Review

Ergo: Quality Anatomechanical Music Since 2005

Read "Quality Anatomechanical Music Since 2005" reviewed by Budd Kopman


Ergo, lead by Brett Sroka, has been performing for about a year, and Quality Anatomechanical Music Since 2005 is a terrific album of sounds, moods and emotions. The trio is completed by Carl Maguire, who recently released the outstanding Floriculture (Between the Lines, 2005), on various electronic keyboards and synthesizers; and Damion Reid, a very fine ...

272

Article: Album Review

Tomas Sauter / Daniel Schlaeppi: Indian Summer

Read "Indian Summer" reviewed by Budd Kopman


The delicate, intimate and compelling Indian Summer, by the guitar/bass duo of Tomas Sauter and Daniel Schlaeppi, is a most welcome release in these closing days of summer. The very sound of the recording is sensuous and surprisingly live, given it's a studio effort. Special care was taken in every step of the process, starting with ...

398

Article: Album Review

Tomasz Stanko Quartet: Lontano

Read "Lontano" reviewed by Budd Kopman


Can a recording be appreciated or understood without knowing the full history of the performer? The answer is, of course, yes and no. In this case, yes, the music on Lontano creates a coherent sound world, has an artistic point of view and many levels, and thus is well worth repeated listens. But no, you'll be ...

251

Article: Album Review

The Flail: Never Fear

Read "Never Fear" reviewed by Budd Kopman


The Flail is a terrific young quintet that feels like a cooperative, but is compositionally led, at least on Never Fear, by trumpeter Dan Blankinship. The band takes the current language of modern jazz and gives it a very personal twist that's full of energy and humor, telling stories along the way by using loose arrangements ...

162

Article: Album Review

Zlatko Kaucic: Golden Boat 2

Read "Golden Boat 2" reviewed by Budd Kopman


Golden Boat 2, which was inspired by the life and poetry of Srecko Kosovel and is dedicated to the memory of Steve Lacy, is an ambitious work--a total of seventeen mostly short sections covering two CDs and totalling 97 minutes. The pieces use a mix of easily recognizable classical writing for a nine-member string orchestra, sometimes ...

247

Article: Album Review

Larry Martus: Transcendence

Read "Transcendence" reviewed by Budd Kopman


Solo recordings have to overcome extra hurdles in order to maintain listener interest. Single-line instruments like the saxophone tend to have the most difficulty because of their limited timbral range and inability to maintain an independent accompanying line. The piano is naturally the most flexible, allowing independent hands to work, but it also has timbral limitations. ...


Engage

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.