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Article: My Blue Note Obsession

Milt Jackson and the Thelonious Monk Quintet

by Marc Davis
August 18, 2014

And now, a crossroads: At what price do I pass? It's the dilemma all collectors face eventually. At first, you buy the commons. A used CD at $4 is a no-brainer. A new CD at $10 or $12, easy to justify. But what do you do when the easies are gone and the price ...

Article: Album Review

Steve Lehman Octet: Mise en Abîme

Read "Mise en Abîme" reviewed by Martin Longley

by Martin Longley
August 18, 2014

It's been five years since Steve Lehman's last Octet album, so we're now voracious for more expanded material. Right at the start, his alto saxophone is briefly alone, and then the entire ensemble weighs in, earthy yet finely controlled. Chris Dingman's customised vibraphone is absolutely central to the sound of these Lehman originals, most of which ...

Article: Interview

Mircea Tiberian: The Natural Force of Music

by Adriana Carcu
August 14, 2014

Pianist Mircea Tiberian is an emblematic figure of Romanian jazz, with a prodigious musical and academic career. He plays an influential role in the jazz scene and as author of many theoretical studies and essays, fosters its development on the theoretical level as well. Along his 40 year career Tiberian has played with top ranking Romanian ...

Article: My Blue Note Obsession

Thelonious Monk: Genius of Modern Music, Volume 1 – Blue Note 1510

by Marc Davis
July 31, 2014

There's bebop, there's hard bop--and then there's Thelonious Monk. It's not hard to imagine where the bebop pioneers found their new sound in the late 1940s, after World War II. It emerged from the big bands, which were dying. It was a natural progression. Hard-charging, uber-fast soloists pushed the limits of speed and rhythm, ...

Article: Bailey's Bundles

Smoke Sessions: Cyrus Chestnut, Orrin Evans and Eric Reed

by C. Michael Bailey
July 31, 2014

Cyrus Chestnut Midnight Melodies Smoke Sessions 2014 Elegance and economy characterize Cyrus Chestnut's art. Chestnut's career was the one Kenny Kirkland could have had had Kirkland's fate been different. Chestnut (and Evans and Reed) represent the generation given way to with the passings of Mulgrew Miller and Cedar ...

Article: Bailey's Bundles

Jazz Vocals July - Stacy Kent, Patrice Jegou, and Vanessa Perea

by C. Michael Bailey
July 28, 2014

Stacy Kent The Changing Lights Warner Bros. Records 2013 Stacey Kent has had an impressive musical run: Breakfast on the Morning Tram (Blue Note, 2007, for which she was nominated for a Grammy Award), Raconte- moi... (Blue Note, 2010), Dreamer In Concert (Blue Note, 2011) ...

Article: Live Review

Live From Birmingham: Tom Harrison, Tad Newton, Wynton Marsalis & Monocled Man

by Martin Longley
July 1, 2014

Tom Harrison The Bartons Arms June 6, 2014 Some of Tom Harrison's band sidemen are more familiar to seasoned UK jazz fans than the leader himself, but the London saxophonist's film music project will doubtless contribute to improving his own profile. It's the kind of conceptual set-up that is ...

Article: My Blue Note Obsession

The Amazing Bud Powell, Volumes 1 and 2 – Blue Note 1503 and 1504

by Marc Davis
June 27, 2014

In the pantheon of bebop's Founding Fathers, there are three giants. Everyone knows Charlie Parker and Dizzy Gillespie. Everyone forgets Bud Powell. Like Bird and Diz, Powell could spit out notes faster than anyone before or since. Also like Bird and Diz, Powell sometimes fell in love with his own speed, so some recordings ...

Article: Book Review

The Amazing Bud Powell: Black Genius, Jazz History, and the Challenge of Bebop

by C. Michael Bailey
June 20, 2014

The Amazing Bud Powell: Black Genius, Jazz History, and the Challenge of Bebop (Music of the African Diaspora) Kindle Edition Guthrie P. Ramsey, Jr. 257 Pages ASIN: # B00CDTSS78 University of California Press 2013 All of the sudden, we have competing biographies of modern jazz pianist Bud Powell. For ...

Article: My Blue Note Obsession

Miles Davis, Volume 1 and 2 -- Blue Note 1501 and 1502

by Marc Davis
June 18, 2014

Miles Davis didn't record much for Blue Note Records, just three sessions in three years. So it's odd that the very first two CDs in Blue Note's classic 1500 series--the 100 albums from the 1950s that made Blue Note the top label in hard bop--are from Miles Davis. They're not bad records, but they're ...