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Donatello D'Attoma Story
by Claudio Bonomi
A tu per tu con Donatello D'Attoma, classe 1983, e astro pianistico “crescente" e vitale del nostro jazz d'autore. Lo abbiamo incontrato due volte: la prima l'anno scorso, in occasione del Fasano Jazz, dove ha diviso il palco con il chitarrista norvegese Bjorn Solli (si trattava di una delle tappe estive del Watchdog Tour) e, recentemente, ...
McCoy Tyner Tribute at SFJAZZ
by Harry S. Pariser
McCoy Tyner Tribute Symphony Hall SFJAZZ San Francisco, CA June 19, 2016 At 8:05 PM on a Sunday evening, the lights dimmed and a master of the jazz piano took the stage at Symphony Hall in San Francisco, California. A standing ovation greeted the 77-year-old who, after seating ...
Don Friedman (1935-2016)
Don Friedman, a jazz pianist with enormous sensitivity and avant-garde curiosity who shared an introspective style similar to Bill Evans but tended to be more experimental and jagged with shades of Bud Powell in the trio and solo formats, died June 30. He was 81. Don grew up in San Francisco and studied formally starting at ...
Burlington Discover Jazz Festival 2016
by Doug Collette
Discover Jazz Festival Burlington, Vermont June 3-12, 2016 With thirty-two years of history, the Burlington Discover Jazz Festival is an avowed tradition, but those who oversee the wide variety of events that take place in Vermont's Queen City for the duration of its multiple nights regularly find a way to inject fresh ...
Better Git It In Your Soul: An Interpretive Biography of Charles Mingus
by Ian Patterson
Better Git It In Your Soul: An Interpretive Biography Of Charles Mingus Krin Gabbard 296 Pages ISBN: 978-0-520 University California Press 2016 Compared to other historically important jazz figures, few have been the books dedicated to Charles Mingus, which is strange given his enduring influence on modern jazz practitioners. ...
Benny Golson: Horizon Ahead
by Jack Bowers
At age eighty-seven, saxophonist Benny Golson is one of the last surviving links to the Golden Age of modern jazz, ushered in by the likes of Charlie Parker, Dizzy Gillespie, Bud Powell, Kenny Clarke and others in the early '40s. Golson came on the bop scene about a decade later and has been a force ever ...
Michael Dease: Father Figure
by David A. Orthmann
Never underestimate a jazz musician's capacity for drawing on material from vastly different sources, deflating the ostensible dissimilarities, and producing vibrant sounds that don't hew to convention or expectations. From the music's early years, resourceful artists have been confounding audiences and critics alike by putting their stamp on anything that strikes their fancy, from gutbucket blues ...
Blue Note On Blu-Ray
by Mark Werlin
Jazz music is best appreciated with “big ears" and an open mind. Just as exposure to new music casts older, familiar works in a different light, newer formats can expand a listener's perspective on the strengths and limitations of the original recordings. SACDs, Blu-Ray discs and hi-res downloads accurately represent the affective details of ...
The Virtues of Jazz
by Douglas Groothuis
Any jazz aficionado knows the musical virtues of jazz, whether they are a musician, a jazz writer, or simply a committed jazz listener. In classical Western thought (that is, in the musings of cats like as Aristotle and Plato), a virtue is a kind of excellence in performance that flows from a settled habit. One who ...
Monkbeatz: Ugly Beauty
by Mark Corroto
Seventy years ago, nobody was playing pianist Thelonious Monk's music, except Monk. One of the originators of bebop, along with Dizzy Gillespie; Charlie Parker, and Bud Powell, he created his own language. As the 1940s turned into the 50s, Monk's music developed its own distinctive parlance. The earliest interpreter of Monk, maybe a better ...
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