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Kristo Rodzevski: The Rabbit and the Fallen Sycamore
by C. Michael Bailey
A glancing blow from Kristo Rodzevski's trilogy-concluding The Rabbit and the Fallen Sycamore will bring to mind a Matthew Sweet on mushrooms crossed with Morrissey in a good, if silly, mood. Preceded by Batania (Self Produced, 2015) and Bitter Almonds (Self Produced, 2017), The Rabbit completes Rodzevski's evolution into a musician capable of drawing consonance out ...
The Four Bags: Waltz
by Luca Casarotti
C'è il rischio di suonare passatisti, didascalici o monocordi, a voler dedicare un disco intero al tempo di walzer. Da questi esiti si tiene lontano il lavoro più recente di The Four Bags, inequivocabilmente intitolato Waltz, che riesce a esplorare con originalità un genere dalla tradizione tanto pregnante. Peculiare, del quartetto newyorkese, è prima di tutto ...
Never Alone: Reflections on the 2018 Winter Jazzfest
by Tyran Grillo
Ornette Coleman once said that sound has no parents. But that doesn't mean we can't be its children. On that point, jazz has always been something of a parental force, connecting progenies of representation across geographic and cultural borders. Its relationship to struggle has, however, at times been overshadowed by debate. On the one hand, jazz ...
Whit Dickey/Kirk Knuffke: Fierce Silence
by Mark Corroto
The fitness instructor kept yelling, “feel the burn, feel the burn." After an hour of aerobic exercise, that was not a difficult task. A much easier and painless way to experience the same fire is to listen to just one track of Fierce Silence, a collection of improvised duos between drummer Whit Dickey and cornetist Kirk ...
Hal Willner, Ex Eye, Bill Laswell, Zion 80 & Brandon Seabrook
by Martin Longley
Hal Willner The Stone June 14, 15, 17, 2016 Hal Willner spent six nights in residence at The Stone, presenting two sets each evening. This Philadelphian producer has immaculate taste, as illustrated by his greatest achievements: a series of conceptual albums that feature a host of carefully selected artists, assigned ...
Red Piano Records To Release The Frank Carlberg Large Ensemble: "Monk Dreams, Hallucinations And Nightmares"
RED PIANO RECORDS TO RELEASE THE FRANK CARLBERG LARGE ENSEMBLE: Monk Dreams, Hallucinations And Nightmares Available February 10, 2017 The Frank Carlberg Large Ensemble is: Kirk Knuffke, John Carlson, Dave Smith, Jonathan Powell- trumpets; Alan Ferber, Brian Drye, Chris Washburn, Max Seeigel- trombones; John O'Gallagher, Jeremy Udden, Sam Sadigursky, Adam ...
Bergamo Jazz 2016
by Libero Farnè
Bergamo Jazz 2016 13-20 mar. Tutto sommato Bergamo Jazz 2016 ha tenuto fede alle parole programmatiche di Dave Douglas, suo nuovo direttore artistico, tese a presentare “un ampio spaccato di alcune delle espressioni di questa musica in costante evoluzione...," in considerazione anche del fatto che essa “ci arriva in varie forme e ...
Jeff Lederer's Brooklyn Blowhards: Brooklyn Blowhards
by Mark Corroto
Imagine seeing a despondent Albert Ayler walking around Brooklyn on a cold November day in 1970, with his tenor saxophone under his arm. Some say he threw himself into the East River, a suicide by drowning. His loss, our loss, was one a true original voices in jazz. Now picture Ayler with a copy ...
Bizingas: Eggs Up High
by Vincenzo Roggero
Bizingas è un quartetto atipico assemblato dal trombonista, tastierista e autore di tutti i pezzi, Brian Drye, attivo dal 2010 quando esordì discograficamente con l'omonimo album. Quartetto atipico per strumentazione e moderno per attitudine, trasversale ai generi -il jazz è solo uno dei tanti ingredienti di una appetibile ricetta musicale -a proprio agio nei più svariati ...
Kirk Knuffke: Arms & Hands
by Mark Corroto
Sometime, watch children as they eat the M&Ms. They will separate the colors into several piles--green, red, brown, yellow, orange, and blue. It's not that each color tastes different, except for maybe blue--I don't remember ever seeing that color before. Nonetheless, they go about savoring each color batch as an independent experience. Those little candies come ...
