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Ghosts In The Machine, Part 3: Jazz Musicians And Popular Music
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 Part 3: The GhostsIn a recent essay in Commentary, Terry Teachout, arts and culture critic for the Wall Street Journal, makes an argument for the date on which the jazz era officially ended and the rock/pop era began--May 9, ...
Tenor Titans: Branford Marsalis
by Russell Perry
Branford Marsalis, tenor and soprano saxophone maestro and member of the important musical clan, emerged forty years ago in Art Blakey's Jazz Messengers and as a sideman in his brother Wynton's early endeavors. For thirty years, the primary vehicle for his own releases has been predominantly the sax-piano-bass-drums quartet but recently he has produced work in ...
2020: The Year in Jazz
by Ken Franckling
The COVID-19 pandemic put the jazz world in a tailspin, just like the world at large, in 2020. And there is plenty of uncertainty going into the new year about what “new normal: might emerge from the darkness. International Jazz Day, like so many other things, became an online virtual event this time around. Pianist Keith ...
Commanding Singers Gregory Porter and Kurt Elling
by Russell Perry
Kurt Elling has been the dominant male vocalist in jazz for the past 20 years, winning the Down Beat Critics Poll from 2000-2013. Gregory Porter released his first record in 2010 and was recognized in the same poll as a rising star in 2013. He won the critics poll in five of the past seven years, with ...
Eric Revis: Slipknots Through a Looking Glass
by John Sharpe
On Slipknots Through a Looking Glass, bassist Eric Revis helms a five strong unit to experimental ends juxtaposing emotionally ambiguous abstraction with gut punch drive. To cover the bases he unites saxophonists Bill McHenry and Darius Jones from the quartet which waxed In Memory Of Things Yet Seen (Clean Feed, 2014), with the pianist Kris Davis ...
Sting: An English (Jazz-)Man In New York - Part 2
by Ludovico Granvassu
Although Sting is mostly known for his solo career and, before that, for fronting one of the most epic band of all times, The Police, his love for jazz has been a common thread throughout his career. His jazz sensibility became more prominent when he started his solo career with the album The Dream of the ...
Take Five with Denin Koch
by AAJ Staff
Meet Denin Koch Hailed as possessing “pristine playing, meticulous composing" and “a very personal voice deserving of attention," guitarist and composer Denin Koch has synthesized his wide and varied influences into a unique approach to jazz improvisation. He has performed with Arturo Sandoval, Pat Metheny, Branford Marsalis, Ellis Marsalis, Wycliffe Gordon, Dee Daniels, Ryan Keberle, and ...
The Genius of Kenny Kirkland - the Companion Mixtape
by Ludovico Granvassu
Compiling a radio playlist is both incredibly satisfying and quite frustrating. Two hours are so quick to fill and one has to often leave out a great number of tracks that would deserve attention but, for a reason or another (length, similarities to other selection, need for variety and flow etc.), don't find a natural spot ...
The Genius of Kenny Kirkland - Part 1
by Ludovico Granvassu
On September 28th, Kenny Kirkland would have turned 65. This week we celebrate his legacy as leader or co-leader, as side-man invited to add power and sophistication to the bands he joined, and as composer, through renditions of his music by peers and contemporary musicians. Among these, pianist Noah Haidu has recently released the first-ever album ...
Two From The Pyroclastic Label: Cory Smythe & Eric Revis
by Jerome Wilson
The Pyroclastic label run by pianist Kris Davis received a lot of attention last year due to the critical acclaim given Davis' own album on the label, Diatom Ribbons. It has kept going this year, continuing to present challenging projects by forward thinking musicians. Here are a couple of them. Cory Smythe
