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Maria Schneider Orchestra: The Thompson Fields
by Dan Bilawsky
There's a wealth of information to be found inside the beautiful packaging that accompanies this release, but a brief Theodore Roosevelt quote may be the most telling piece of text to be found there. It reads: “There is nothing more practical in the end than the preservation of beauty, than the preservation of anything that appeals ...
John Fedchock Quartet Live: Fluidity
by Dan Bilawsky
Fluidity could have just as easily been called A Night In The Life Of A Jazz Musician. There's no high profile or out-of-place guest here to sell records, no world famous stage for this quartet to grace, and no abstruse concept to push the music with. This is just four men doing what they do on ...
Chris Lightcap's Bigmouth: Epicenter
by Dave Wayne
Conceived as a continuous seven-part extended work for his band, Bigmouth, the first seven tracks on Chris Lightcap's Epicenter are as remarkable for their diversity as they are for the ways in which they're tied together. The unifying theme here is “New York: Lost and Found," and the music could indeed work as a sort of ...
Ran Blake: Ghost Tones: Portraits of George Russell
by Dan McClenaghan
At eighty years of age, pianist Ran Blake has shaped an impressive and multifaceted legacy: four decades of mentoring students at the New England Conservatory; helping shape a new genre of music, Third Stream, the marriage of the jazz and classical worlds; his teaming with the lady vocalists--Jeanne Lee, Christine Correa, Sara Serpa, Dominque Eade; numerous ...
New England Conservatory Faculty And Grads Win 2015 JJA Jazz Awards For Musical Achievement
New England Conservatory Jazz Faculty Members Jason Moran, Miguel Zenón and Dave Holland Plus NEC Graduate & Board of Visitors Member Regina Carter And Former NEC Prep Student Mary Halvorson Winners of 2015 JJA Jazz Awards for Musical Achievement New England Conservatory Jazz Studies Department faculty members Jason Moran, Miguel Zenón and Dave Holland have won ...
Chris Lightcap's Bigmouth: Epicenter
by Budd Kopman
The closing track of bassist Chris Lightcap's muscular and vibrant Epicenter is a very intense and almost brutal version of Lou Reed's “All Tomorrow's Parties" from the 1967 release Velvet Underground & Nico. This tune, which is among Reed's most highly crafted works and which captures the essence of both the times and its subculture, is ...
Katie Thiroux: Walking a Classy and Swinging Line
by R.J. DeLuke
Katie Thiroux, a young musician out of Los Angeles, plays the bass and sings with equal conviction. Her musical experiences began with classical, but a career in jazz is what she eventually focused on and Thiroux--who received several accolades while climbing the tricky stairway of such a career--is making good strides. A sideman on ...
Maria Schneider: Lembra De Mim
by Dan Bilawsky
June of 2015 can't come soon enough for fans of the Maria Schneider Orchestra. That month will see the release of the The Thompson Fields--the long-awaited followup to the stunning Sky Blue (ArtistShare, 2007). In the meantime, Schneider has been gracious enough to deliver a pair of bonus tracks to tide everyone over until the album ...
Claire Ritter: Soho Solo
by Dan McClenaghan
Almost any jazz pianist you can think of has taken a shot at the solo recording. Keith Jarrett explores uncharted territory with his wholly improvised approach. Denny Zeitlin and Fred Hersch examine the Standards and some of their own outstanding compositions. Brad Mehldau brings more modern musical mix with his own distinctive tunes stirred up with ...
Brian Landrus Trio: The Deep Below
by Dan Bilawsky
If this recording can't kindle a love of the low end in your cochlea then nothing can. For The Deep Below, Brian Landrus--perhaps the most significant baritone saxophonist/low reed man to emerge in recent times--put together a trio with bassist Lonnie Plaxico and drumming icon Billy Hart. Together, they explore eleven Landrus originals and three classics, ...
