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Steven Bernstein: Diaspora Hollywood
by Celeste Sunderland
Picture a couple of Jewish grandpas sitting around cracking jokes. Now imagine a Hollywood starlet from the '50s sauntering into a dimly lit club and you've got Diaspora Hollywood , the third installment of trumpet player Steven Bernstein's Diaspora series on John Zorn's Tzadik label. An ode to pioneering geniuses like Franz Waxman and Max Steiner, ...
Sonny Simmons: Jewels
by Mark Corroto
Note to self (that's you): find the long out-of-print CD Ancient Ritual (Qwest, 1992) by the Sonny Simmons trio. That disc marked his first great comeback, this disc his second. Well, sort of. Not that Sonny Simmons went anywhere. It is just that gaps in his recording career wipe him from our collective radar. ...
Leslie Pintchik: So Glad To Be Here
by Michael P. Gladstone
As album debuts go, So Glad To Be Here is a noteworthy one for pianist Leslie Pintchik and her trio. The album begins with two standards and ends with Monk's “We See." Everything else is a Pintchik original, with one composition from bassist Scott Hardy.The pianist was a graduate student at Columbia University pursuing ...
Grachan Moncur III Octet: Exploration
by AAJ Staff
Trombonist and composer Grachan Moncur III made a memorable impact forty years ago with his challenging compositions and austere improvising style. He then maintained a very low profile for decades, teaching, recording only rarely, and encountering dental problems. Now he's made a welcome return to recording with the absolutely stunning CD Exploration. In the ...
Eric Hofbauer: American Vanity
by Dan McClenaghan
It's hard to decide--based on American Vanity --if Eric Hofbauer is a brilliant young artist or a wild-eyed nut-case. He plays solo acoustic guitar, ranting about American culture, American hubris, and American vanity through his guitar strings; though you wouldn't know this without liner notes. You might just take the set for some sharply-focused and fairly ...
Raphe Malik: Last Set & Sympathy
by Clifford Allen
What is sometimes sorely missed among the current crop of players in the jazz “tradition" (and by “tradition" I mean both straight-ahead and free music) is a sense of weight. This weight, or gravity, is both sonic and metaphysical and improvised music is at a loss without it. While he was a regular member of the ...
Mike Wofford Trio: Live At Athenaeum Jazz
by Michael P. Gladstone
Pianist Mike Wofford has been a mainstay of the West Coast jazz scene for many decades and has been recording since 1966. Based out of San Diego, the location for this recording, he has been heard on many recordings as member of groups led by Shelly Manne and His Men, Shorty Rogers and James Moody. In ...
Grachan Moncur III Octet: Exploration
by John Kelman
It's remarkable how time changes the relative position of musical innovation. When trombonist Grachan Moncur III appeared on the scene with a series of Blue Note appearances including his own Evolution and Some Other Stuff , as well as alto saxophonist Jackie McLean's One Step Beyond , Destination...Out! , Hipnosis and About Soul , thankfully reissued ...
Holly Hofmann: Minor Miracle
by Michael P. Gladstone
Holly Hofmann has been recording steadily since the late 1980s and her credibility among musicians and jazz critics secured an award for her in the “Rising Star" category in the Downbeat Critics Jazz Poll as a flutist. Her latest outing is with her husband and frequent musical partner, Mike Wofford (piano), plus Peter Washington (bass) and ...
Jody Sandhaus: A Fine Spring Morning
by Dan McClenaghan
She can sing with a hint of angelic innocence ("A Fine Spring Morning") or lay down the lyrics like the devil's sitting on her shoulder ("Whatever Lola Wants"), with an instrument that makes achingly beautiful sounds--just listen to the ending of “Deed I Do," when she scats (she's got that angel thing going again here) into ...
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