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Ernie Krivda: Blues for Pekar
by Dan McClenaghan
Cleveland, Ohio-based tenor saxophonist Ernie Krivda teams up with his “Detroit Connection," a rhythm section of Motor City jazz stalwarts, on Blues for Pekar, a swinging mainstream set that bursts to life with a fiery take on the standard, “The End of a Love Affair." After a brief unison head with the first of his guest ...
Montreal Jazz Festival 2011
by John Kelman
Days 1-3 | Days 4- 6 Festival International de Jazz de Montréal Montreal, Canada June 25- July 4, 2011After a hiatus in 2010, in order to take a three-week Norwegian road trip, it's great to get back to the festival that the Guinness Book of Records calls “The biggest ...
Maria Jameau and Blue Brazil: Gema
by C. Michael Bailey
Gema is Maria Jameau's collection of Brazilian, Spanish, and African tunes, with the ostensible intention of showing how big the folk musical tent is. Jameau and her band, Blue Brazil, are centered in the culturally-rich Sonoma County, where the muse is strong for an organic mix of musical influences, all thickened with the roux of Mother ...
Frank Carlberg: Uncivilized Ruminations
by Eyal Hareuveni
Pianist/composer Frank Carlberg continues to perfect his distinctive blend of poetry and left-of-center jazz. Carlberg does it together with a stellar cast of close collaborators; most important of them is vocalist Christine Correra, with whom he has been collaborating for two decades. Both have performed poetry by Wallace Stevens on Variations on a Summer Day (Fresh ...
Laszlo Gardony: Signature Time
by Bruce Lindsay
According to his liner notes, pianist Laszlo Gardony's Signature Time is “a tribute to all African-inspired sound." It's a tribute that recognizes the centrality of African music in so many contemporary genres, showing this recognition in the creation of some fine original music and the reworking of some classic songs. Gardony was born ...
Vicious World: Plays the Music of Rufus Wainwright
by Andrew J. Sammut
Vicious World might have a field day on its tribute to the music of Rufus Wainwright, except the tunes are rarely that lighthearted. Let's just say the septet is moved to musical tears by the singer/songwriter's earnest melodies and bittersweet harmonies. Even that's putting it mildly. Anxious strings introduce Aaron Irwin's alto sax ...
Billy Bang / Bill Cole: Duet
by Raul d'Gama Rose
Among the more daring moments in music is one of the last adventures that violinist Billy Bang shared with double reeds player, the venerable Bill Cole. The intense encounter took place on April 17, 2009 and was captured by Cole who released it on his own label in the winter of 2010. A collection of intriguing ...
The Brian Landrus Quartet: Traverse
by Raul d'Gama Rose
There is a gravitas in the musical intellect of baritone saxophonist/bass clarinetist Brian Landrus that can only come from a wellspring emanating from the depths of a very bluesy soul. His is a singular voice and, as he sings in sensuous, velvet tones, his long magical lines swing and swagger with rhythmic grace. Although his music ...
Walt Weiskopf: Walt Weiskopf: Quartet Live
by Edward Blanco
A technician with the tenor saxophone, when Walt Weiskopf plays, it's clear that it's him; his voice is sharp, crisp and totally unique. His style is dynamic and comparable, in some respects, to the late jazz icon, Stan Getz.. On Walt Weiskopf: Quartet Live, the tenor saxophonist leads his quartet on what happens to be his ...
Sanda Weigl: Gypsy in a Tree
by Raul d'Gama Rose
Anyone who has lived the myriad lives of the Diaspora as Sanda Weigl has, is qualified to speak for the generations of pain and joy, torture and triumph of human life that has come to pass for her people, and the Gypsies as well. Fleeing the repressive regime of Romania and falling afoul of the even ...
