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Gebhard Ullmann/Basement Research: Hat And Shoes
by Glenn Astarita
Without a doubt, German multi-woodwind ace Gebhard Ullmann is one of the busiest artists within the global jazz network. Hat & Shoes celebrates his Basement Research band's 20th anniversary and the artist's 50th CD as a co-leader and leader, including his other ensembles --Conference Call and the Clarinet Trio. The all-star quintet ups the ...
Gene Segal: Mental Images
by Dave Wayne
Guitarist and composer Gene Segal has put the intervening years between Mental Images and his recording debut, Hypnotic (Innova Records, 2009), to good use. While Segal still loves the funk, as the opening “Healing Feeling" definitively shows, the remainder of the album doesn't easily fit into any one musical pigeonhole;unless there's a category at your local ...
Wadada Leo Smith: The Great Lakes Suites
by Hrayr Attarian
The intrepid composer and trumpeter Wadada Leo Smith's creative energy continues unabated after a career spanning over four decades. His artistry has crystalized and matured without losing its progressive edge and The Great Lakes Suites is the fruit of this sophisticated ingenuity. For these six imaginative pieces, inspired by the bodies of water of ...
Phil Haynes: Phil Haynes’ “No Fast Food” Trio: In Concert
by Dave Wayne
No Fast Food In Concert is rife with all sorts of footnotes and fascinating jazz lineages. But, one can simply enjoy it without being a fact-obsessed music nerd such as me; the first track, a truly pretty-but-not-precious waltz titled “Dawn on the Gladys Marie" is evidence enough of the simple universality of great music. There's a ...
Ezra Weiss Sextet: Before You Know It [Live In Portland]
![Read "Before You Know It [Live In Portland]" reviewed by Dave Wayne](https://s3.amazonaws.com/allaboutjazz/coverart/large/ezraweisssextet_beforeyouknowit_bl.jpg)
by Dave Wayne
On Before You Know It, pianist / composer Ezra Weiss provides convincing evidence for the continued health and well-being of good old, straight ahead, gimmick-free modern acoustic jazz. The archetype for Weiss' beefy band and punchy charts would include Art Blakey's expanded Jazz Messenger lineups, some of McCoy Tyner's larger groups from the early-to-late 1970s, or ...
New England Conservatory Jazz Voice Alum Michael Mayo Featured On American Voices A PBS Great Performances Special Hosted By Renée Fleming
“Jazz on stage is alive and it’s a very intimate exchange… You have to listen so you can respond and keep the conversation going. You do that so impeccably well!” – Dianne Reeves to Michael Mayo on PBS’ American Voices New England Conservatory Jazz Studies alum Michael Mayo (Bachelor’s of Music, Jazz Voice ’14) was recently ...
Rudresh Mahanthappa: Bird Calls
by Dan Bilawsky
Charlie Parker has been deified, his methods have been codified, and his recordings have been analyzed ad infinitum. Six decades have passed since he left this realm, yet he remains the lodestar for a significant portion of the jazz community, from the aspiring to the elite, and his influence hasn't waned one bit. Given all of ...
Gebhard Ullmann/Basement Research: Hat And Shoes
by Mark Corroto
Saxophonist Gebhard Ullmann might be the German equivalent of Chicago's Ken Vandermark. Both players are influential composers and both maintain multiple creative ensembles in Europe and the United States. Like Vandermark, Ullmann's catalog is vast. Hat And Shoes is his 50th release as a leader or co- leader, and this band Basement Research have put out ...
New England Conservatory Faculty Profile: Fred Hersch
Fred Hersch has much to look forward to in his immediate future, including the premiere of a new extended composition and a variety of performances in the diverse solo and small-ensemble settings that have made him one of the major contemporary voices in jazz piano. Yet 2015 looms large in his mind for another reason. “It ...
Rudresh Mahanthappa: Bird Calls
by Victor L. Schermer
In this innovative album, Rudresh Mahanthappa is to “Yardbird" Charlie Parker what Albert Einstein was to Isaac Newton. He revises Parker's legacy to his own advanced understanding, yet preserves the essential truth of Parker's contribution to jazz. One genius says “hello" to another and then goes his own way. The result is an exciting “leaning in" ...
