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Voices Instrumental in Jazz
by Chris M. Slawecki
Natacha AtlasMounqalibaSix Degrees Records2010 Vocalist Natacha Atlas seems to embody the modern musical millennia: She was born in Brussels and raised in one of its Moroccan suburbs; her compositions and singing reach into and crisscross storied European and Arabic musical traditions. Primarily co-written ...
Don Sebesky: Giant Box
by Dan Bilawsky
It's a bit bizarre to find an album called Giant Box in a small cardboard case, or as a download lacking physical form, but times change. When Don Sebesky's grand musical statement on CTI hit the marketplace in 1973, it came in a classical-type record box, befitting the stature of the music. Opinions ...
Jack Lee/Bob James "Botero"
The evolution of pianist/composer Bob James from accompanist/arranger and producer/label owner to successful solo artist and popular bandleader has been fascinating. His music has changed quite a bit during this period too, running the gauntlet of genres and generations. Indeed, fans of Bob James' group Fourplay are unlikely to know or appreciate his great Tappan Zee ...
Keiko Matsui: And The Road...Goes On
by Jeff Winbush
Keiko Matsui has been out of the studio but relentlessly trotting the globe since 2007's Moyo (Shout! Factory), her acclaimed South African-inspired recording that featured the Japanese-born pianist/composer/producer collaborating with trumpeter Hugh Masakela, among others. The Road... (Shanachie, 2011) marks the further evolution of her signature sound and demonstrates a new chapter in her artistic growth. ...
Hubert Laws: Flute Virtuoso and NEA Jazz Master
by Greg Thomas
After James Moody and Frank Wess established the flute as a solo jazz instrument in the 1950s, and Herbie Mann popularized it in the 1960s, the musician that has become most identified with virtuosic flute performance in jazz is Hubert Laws, who became a recipient of the National Endowment for the Arts (NEA) Jazz Masters Fellowship ...
Ron Carter: All Blues
by John Kelman
In the 1960s and 1970s, few bassists were as ubiquitous as Ron Carter, from the experimental post/free bop of trumpeter Miles Davis's 1960s quintet to straight-ahead swing with guitarist Kenny Burrell and the greater extremes of saxophonist Archie Shepp. With the emergence of CTI Records, Carter became something of a house bassist for the label; on ...
CTI Masterworks: The Second Batch
by John Kelman
After a mighty kickoff near the end of 2010, CTI Masterworks is pushing ahead full-steam with another set of six remastered reissues, beautifully packaged in soft digipak editions. Its first batch of reissues included a tremendous, four-disc retrospective box set, CTI Records--The Cool Revolution, and an expanded, double-disc version of 1971's California Concert: The Hollywood Palladium, ...
Marcus Miller: A Night in Monte-Carlo
by Woodrow Wilkins
He's the man in the porkpie hat. Bassist, composer, arranger and producer Marcus Miller matches classical with jazz on A Night in Monte-Carlo, featuring L'Orchestre Philharmonique De Monte-Carlo. Miller, a two-time Grammy Award-winner, has a diverse and vast discography as a leader, producer and sideman. Among his numerous credits are work with Miles Davis, ...
Fourplay: Let's Touch the Sky
by Jeff Winbush
For Fourplay, it's all a numbers game. 2011 marks the band's 20th anniversary, Let's Touch the Sky is their 12th album, and “new guy," Chuck Loeb is both Fourplay's third personnel change and third guitarist replacing Larry Carlton, who stepped in for Lee Ritenour in 1998.Personnel changes in long-established bands happen when a disgruntled ...
David Sanborn en el Festival de Jazz de Barcelona
by Enrique Turpin
David Sanborn Trio42 Voll-Damm Festival Internacional de Jazz de BarcelonaPalau de la Música23 de noviembre, 2010Para qué negar que David Sanborn ha sido una de las bandas sonoras más persistentes en nuestras vidas juveniles. Cuando más de uno desechaba los discos de Billie Holiday porque apreciaba en ellos el peso insufrible ...
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