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Eric Bibb: Deeper In The Well
by Chris May
Eric BibbDeeper In The WellDixie Frog2012As bluesman Willie Dixon affirmed, you can't judge a book by looking at its cover. But you often can from reading the first paragraph. Switching your receptors from visual to audio, so it is with the first few bars of an album's opening ...
Dida Pelled Trio: Aquebogue, NY, February 12, 2012
by Dan Bilawsky
Dida Pelled TrioLong Island WinterfestPalmer VineyardsAquebogue, NYFebruary 12, 2012Long Island's East End is world renowned for it's wine country and high-end lifestyle, but few visitors ever choose to experience either one during the winter. While the wine cognoscenti have come throughout the year, the general public usually waited for ...
Monty Alexander
by Bob Kenselaar
Monty Alexander has some great things to celebrate in 2012. For one, he's entered his fiftieth year as a professional musician--a remarkable career where he's made an indelible mark in the world of jazz and in the music of his native Jamaica. For another, he had two hugely successful records in the past year that ranked ...
Barb Jungr / Kuljit Bhamra / Russell Churney: Durga Rising
by John Eyles
Durga Rising was recorded in 1996 but not properly released at the time. Featuring Barb Jungr on vocals, Kuljit Bhamra on percussion and Russell Churney on piano, it seems likely to attract more attention today than it did back in 1996. Since then, Jungr has enjoyed a burgeoning solo career accompanied by a string of awards ...
Concepts of Pain: The Stuff of the Sixties
by Gordon Marshall
This chapter is an excerpt from Naked Mind: On Music and Power, a work in progress by All About Jazz contributor Gordon Marshall. It is said that the '60s ended in 1974, with Richard Nixon's resignation. On the one hand, there was nothing left to believe in. On the other, there was ...
Eugene Chadbourne and Warren Smith: Odd Time
by Raul d'Gama Rose
All art is activist; or at least it should be when it challenges established and accepted forms that play to the laissez-faire, the reactionary and the antisocial--and the greater good of the greater number of people experiencing (or trying to experience) it. The music of Beethoven was just so, the composer cancelling the dedication of his ...
Giovanna Pessi / Susanna Wallumrod: If Grief Could Wait
by John Kelman
There was a time when hard lines existed between genres, but they seem long gone when tenor John Potter and electronic composer Ambrose Field can create a very 21st century take on 15th century musical frameworks with Being Dufay (2009), while Norwegian keyboardist Jon Balke conjoins baroque string ensemble and Fourth World progenitor, trumpeter Jon Hassell ...
Grammy Award Winning Buckwheat Zydeco to Perform in Wilmington
Grammy Award-winning American musical legend Stanley “Buckwheat" Dural Jr.—along with his band, Buckwheat Zydeco—is the preeminent ambassador of Louisiana zydeco music. Buckwheat Zydeco will perform at World Cafe Live at The Queen in Wilmington on Monday, February 27, 2012. Their latest release (and Alligator Records debut) is the Grammy Award-winning CD, Lay Your Burden Down. This ...
Chris McNulty: A Siren From Down Under
by Ludwig vanTrikt
Chris McNulty emigrated to New York City, from her native home in Melbourne, Australia, in 1988. Since then she's released five recordings, with Waltz For Debby (Discovery, 1991) first introducing the Australian singer to American audiences. On that record, she wrote what would ultimately become the official, published lyrics to Miles Davis' classic “Blue in Green." ...
Scotty Alan: Wreck And The Mess
by Doug Collette
The antique sound quality of Scotty Alan's Wreck and the Mess suits the rootsy sound of this guitarist/vocalist's music, as the raggedy dynamic of the opening “Goodbye" suggests he and his accompanists are just barely keeping it together as they play. Still, their precarious interaction is one of the most joyous of musical sensations, the sound ...
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