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Joe Lovano Quartet: Classic! Live at Newport
by Dan Bilawsky
It's safe to say that many years from now, when the critics and historians have the benefit of distance to help focus their thoughts, many if not most will continue to hail much of saxophonist Joe Lovano's presently-admired body of work on the Blue Note imprint. But what will stand tallest in said discography? Some may ...
Marcus Strickland's Twi-Life: Nihil Novi
by Dan Bilawsky
When you wipe away all of the minutiae and technical matters involved with the recording process, there are really only two schools of thought on the subject: You either aim to capture what's literally there or you choose to produce something that's not. Everything else is semantics and dealing with variants, mixtures, and/or a balance between ...
Gregory Porter: Take Me To The Alley
by Dan Bilawsky
The ineffable charms of Gregory Porter can't help but woo and win over the ear. He's the epitome of soulful sophistication--part tender poet, part cogent preacher, fully a man of the people--and he has a voice that can make the angels weep. While we often bemoan the choices that fame's fickle index finger makes, it pointed ...
GoGo Penguin: Man Made Object
by Geno Thackara
They're not your parents' kind of piano trio. Regardless of your age, they're not the obvious idea of yours either. In a milieu that's based on exploration or at least adaptability, GoGo Penguin is still more restless and exploratory than most; this UK outfit's brew of what they call “acoustic electronica" owes a debt to Brian ...
Charles Lloyd and The Marvels: I Long to See You
by Ian Patterson
Rather than easing off since turning seventy in 2008, Charles Lloyd has instead upped the ante, producing some of the finest music of his career. Whatever spiritual quest Lloyd is on, it continues to spur the veteran saxophonist to heady musical heights and I Long to See You (Blue Note, 2016) is no exception. Lloyd's well-established ...
Charles Lloyd & The Marvels: I Long To See You
by Dan Bilawsky
If ever there was an eternal explorer, it's Charles Lloyd. This inquisitive soul has made a career out of surveying new frontiers, both within himself and beyond the borders of his own being. He's taken every opportunity to peer and travel into the unknown, allowing only the sound and the spirits to serve as his guides. ...
GoGo Penguin: Man Made Object
by Phil Barnes
Its stick or twist for GoGo Penguin as they release this, their Blue Note debut and the first of a reputed three album deal. Do they push ahead, expanding their palette of electronica seen through the prism of acoustic jazz, or retreat a tad in deference to their new paymasters by emphasising the more traditional jazz ...
Logan Richardson: Shift
by Mark F. Turner
Shift is a welcome return to the emotive stylings of Logan Richardson, the Paris-based, Kansas City-born saxophonist and composer who garnered respect as a fluent voice with his 2007 debut Cerebral Flow (Fresh Sound) and projects with peers like pianist Gerald Clayton in NEXT Collective. With this debut on Blue Note the blending of culturally rich ...
Dr Lonnie Smith: Evolution
by Angelo Leonardi
Inizia col contagioso groove di “Play It Back" il nuovo disco di Lonnie Smith, tornato a incidere con la Blue Note dopo 45 anni d'assenza. L'organista lo scrisse negli anni d'oro dell'hammond B-3, alla fine dei sessanta, ha sempre tenuto il brano in repertorio e oggi lo ripropone nel nuovo gruppo con due batteristi e Robert ...
Charles Lloyd and The Marvels: I Long to See You
by Stefano Merighi
Non vi è dubbio che al giro di boa dei 70 anni Charles Lloyd abbia conosciuto una “nuova giovinezza" artistica e che queste recenti stagioni siano state per lui ricche di soddisfazioni. I dischi ECM ed il recente Blue Note Wild Man Dance lo hanno rilanciato come tra i più creativi tra i senatori del jazz. ...
