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Immanuel Wilkins: Omega
by Paul Rauch
At the moment Omega, the debut solo album of young alto saxophonist Immanuel Wilkins, was released on Blue Note in May 2020, America was ablaze with the fight for justice following the murder by police of George Floyd in Minneapolis. The sessions for the album were recorded prior to the event that propelled the Black Lives ...
Bill Frisell: Valentine
by Angelo Leonardi
Pur confermando in pieno l'identità stilistica del chitarrista, il nuovo disco di Bill Frisell si rivela sottilmente imprevedibile: spiazza forse un po' l'ascoltatore ma lo coinvolge intensamente nella mente e nel cuore. Pubblicato il 14 agosto dalla Blue Note, Valentine è la prima incisione ufficiale del trio con Thomas Morgan e Rudy ...
Bill Frisell: Valentine
by Ian Patterson
In an extraordinarily varied career Bill Frisell has made just a handful of trio recordings as leader, which is perhaps surprising given how frequently he performs in such a setting. In recent years the Baltimore-born, Denver-raised guitarist has toured two of his most empathetic trios, that with Kenny Wollesen and Tony Scherr and, latterly, with Rudy ...
Ambrose Akinmusire: On The Tender Spot Of Every Calloused Moment
by Chris May
Trumpeter and composer Ambrose Akinmusire rings the changes admirably from album to album. On The Tender Spot Of Every Calloused Moment is the most stripped down of his Blue Note outings (it is his fifth album for the label). It is made with a quartet. There is no second horn. The sound is ECM-like in its ...
Back At The Chicken Shack
by Thomas Fletcher
Back At The Chicken Shack celebrates 60 years since its recording date at the Van Gelder Studio in Englewood Cliffs. The same session produced Midnight Special (Blue Note, 1961), though Back At The Chicken Shack would have to wait three years for its release. The label's co-founder, Alfred Lion, later revealed that the healthy sales of ...
Sonny's Crib
by C. Michael Bailey
From the outset, pianist Sonny Clark's sophomore effort as a leader is crisp, white-hot hard bop. Leading a standard bop trumpet-tenor saxophone quintet (Donald Byrd, John Coltrane), supplemented with trombone (Curtis Fuller), Clark and his most reliable rhythm section of bassist Paul Chambers and drummer Art Taylor carve five dictionary examples (with alternate takes on the ...
GoGo Penguin: GoGo Penguin
by Geno Thackara
Calling GoGo Penguin a jazz group is sort of like calling Canada a big snowy place. Nobody would consider such a simple term adequate to describe the trio today, least of all the members themselves--bassist Nick Blacka explains that with album number five, GGP has “finally come to accept that we really just aren't a jazz ...
New Faces - New Sounds
by C. Michael Bailey
Jazz is littered with musicians like Elmo Hope: young, talented and, ultimately, doomed because of racism, poverty, and chemical dependency. Born in New York City, the son of immigrants from the Caribbean, Hope managed to release more than a baker's dozen of studio recordings in as many years, before dying of drug addiction-related health problems in ...
Dial "S" for Sonny
by C. Michael Bailey
Pianist Sonny Clark was culturally marginalized in much the same way as his contemporary Elmo Hope—both heroin-addicted jazz musicians in the 1950s: at the time, and romantically, a cliche. Both pianists have been sorely lumped into the “Bud Powell school of bop piano" which superficially may seem accurate until one considers the evolutionary continuum of jazz ...
New Faces - New Sounds
by C. Michael Bailey
In the early 1950s, Blue Note Records introduced new artists in the label's series New Faces -New Sounds. It highlighted such young artists as Horace Silver (1952); Lou Donaldson (1952); Elmo Hope (1953); and Frank Foster (1954). All of these recordings were released as part of Blue Note Record's 5000 Modern Jazz Series, all on 10-inch ...
