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Don Byron: Ivey-Divey
by John Kelman
Clarinetist Don Byron has fashioned a career something akin to a great jazz history lesson. With albums like Plays the Music of Mickey Katz and Bug Music , he demonstrated some of its traditional roots, whereas Music for Six Musicians and You are #6 explored the Latin and Afro-Cuban legacies. Tuskegee Experiments and the frighteningly good ...
Don Byron: Ivey-Divey
by Ty Cumbie
Jazz is deep into a critical phase, through which all mature art forms must pass--look out rock, your time is coming!--the point at which the music either changes or dies, becoming something different or a dusty museum piece. All who choose to enter the field at this time face this challenge, whether they know it or ...
Patricia Barber: A Fortnight in France
by Dr. Judith Schlesinger
Patricia Barber has always been edgy, iconoclastic, and daring, and she has committed the cardinal sin of insisting on creative control of her product. After seven albums on her own label (Premonition) or in cooperation with Blue Note, this is the first to be released exclusively by the latter. Not coincidentally, her music is ...
Patricia Barber: A Fortnight In France
by Jim Santella
The modern mainstream has many champions. Patricia Barber is one of them. With her quartet, she worked concert halls for two weeks in Paris, Metz, Nice, and La Rochelle this past March and April to demonstrate for French audiences that we continue to experience surges of growth in the art form--as long as freedom of expression ...
Medeski, Martin & Wood: End of the World Party (Just in Case)
by Doug Collette
This new Medeski Martin and Wood release is heady stuff, certainly on par with the recordings that made the group something of an underground jazz legend in the early- to mid-nineties-- Shack-man and Friday Afternoon in the Universe. But while End of the World Party (Just in Case) reminds you of those albums, and even more ...
McCoy Tyner: Tender Moments
by Norman Weinstein
This is the first, and arguably, the finest big band album the distinguished pianist ever recorded. Six horns are utilized, with the neglected James Spaulding alternating on flute and alto sax along with tenor saxophonist Bennie Maupin, trombonist Julian Priester, trumpeter Lee Morgan, and the exotic horns, with Bob Northern on French horn and Howard Johnson ...
Takashi Matsunaga: Storm Zone
by Craig W. Hurst
With the release of Storm Zone on the venerable Blue Note record label, the jazz world has been put on notice that there is a new rising son on the horizon among other jazz notables such as Toshiko Akiyoshi, Tiger Okoshi, Sadao Watanabe, and Keiko Matsui, who also hail from the Land of the Rising Sun. ...
Jimmy Smith: Prayer Meetin
by Joel Roberts
Jimmy Smith and the late Stanley Turrentine were one of the great organ-sax combos, collaborating on a series of albums for Blue Note in the early '60s that helped define the genre of soul jazz. The last of those efforts was 1963's Prayer Meetin' , made at the end of a flurry of recording activity by ...
Blue Mitchell: The Thing To Do
by Norman Weinstein
Trumpeter Blue Mitchell had a sound in every way as individual as his label-mates Freddie Hubbard and Lee Morgan, and like them, tragically, he could misuse studio time recording uninspired bop and funk. The Thing To Do makes you wish Mitchell had been this focused and well accompanied more of the time.Blessed with a ...
Grant Green: Goin' West
by Colin Fleming
Tempting as it is to dismiss this Grant Green album as the sixties' slant on lite jazz, overriding talent, as one would expect, has a tendency to compensate for a decided lack of risk taking, the very virtue, considering the quality of these players, that could have elevated Goin' West to a minor classic. Recorded in ...


