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88

Article: Album Review

Stefano di Battista: Parker's Mood

Read "Parker's Mood" reviewed by AAJ Staff


Coming on the heels of another prominent Bird dedication, Anothony Braxton's recently reissued Charlie Parker Project, Parker's Mood is not only a change of pace but a totally distinct look at the music of one of bebop's founding fathers. Whereas Braxton's sprawling work was loose, cantankerous, and abstractly modern, Italian saxophonist Stefano di Battista's collection is ...

185

Article: Album Review

Stefano di Battista: Parker's Mood

Read "Parker's Mood" reviewed by Stephen Latessa


It is hard to settle down and write a well-measured review of any album that opens with “Salt Peanuts." The tune is so full of natural zest that it would even sound glorious played by an orchestra of kazoos. Predictably, the version that kicks off Parker's Mood does not disappoint and energizes the listener for the ...

201

Article: Album Review

Jason Moran: Same Mother

Read "Same Mother" reviewed by Mark F. Turner


Jason Moran and his Bandwagon (bassist Tarus Mateen, drummer Nasheet Waits, and newcomer guitarist Marvin Sewell) speak the blues in fine jazz form on their new adventure, Same Mother. The title comes from a comment Moran's wife made in a discussion about tap dancer Savion Glover which states “...that jazz movement and blues movement in dance ...

273

Article: Album Review

Jason Moran: Same Mother

Read "Same Mother" reviewed by AAJ Staff


Jazz and blues have the same mother. They were the first recorded music styles that allowed black people to fully express themselves. And therein lies the heart of Jason Moran's latest album. Same Mother is a re-examination of the blues, not so much of its formal or harmonic elements, but rather its emotional and aesthetic constituents. ...

157

Article: Album Review

Jason Moran: Same Mother

Read "Same Mother" reviewed by Jim Santella


Based on a film score that he wrote, Jason Moran introduces blues from the Deep South on Same Mother. The film, Five Short Breaths, depicts the raw outlook of life in a Mississippi prison during the 1940s. Thus, with his sixth Blue Note release, he's able to prove to the world once and for all that ...

117

Article: Album Review

Stefano Di Battista: Parker's Mood

Read "Parker's Mood" reviewed by Mark F. Turner


The spirit of Charlie “Bird" Parker continues in recent recordings from the deconstructed interpretations of Anthony Braxton's Charlie Parker Project to the modern techno-manipulation of Bird Up! -- The Charlie Parker Remix Project. Now saxophonist Stefano Di Battista brings listeners a more straight-ahead tribute to the founder of bebop. While the true magic of Parker's music ...

268

Article: Album Review

Stefano Di Battista: Stefano Di Battista: Parker's Mood

Read "Stefano Di Battista: Parker's Mood" reviewed by Paul Olson


If you've seen the title, you've probably got this one figured out. Parker's Mood , Italian saxophonist Stefano Di Battista's fourth Blue Note CD as a leader, is a Charlie Parker tribute. Di Battista's usual bassist and trumpeter Rosario Bonaccorso and Flavio Boltro are teamed up for this session with the Stateside duo of pianist Kenny ...

307

Article: Album Review

Wynton Marsalis: Unforgivable Blackness

Read "Unforgivable Blackness" reviewed by Riel Lazarus


Who better to invoke the past in tune than Wynton Marsalis? After all, the stick-in-the-mud trumpet virtuoso reveres the days of yore as few others playing today, proffering them nightly before sellout crowds the world round. So when the gig came up to score Ken Burns' new documentary, Unforgivable Blackness: The Rise and Fall of Jack ...

732

Article: Extended Analysis

Jimmy Smith: Retrospective

Read "Jimmy Smith: Retrospective" reviewed by John Kelman


Jimmy Smith Retrospective Blue Note 2004 With the proliferation of Hammond B-3 organ players that have emerged in the past ten years including Joey DeFrancesco, Larry Goldings, John Medeski and Dan Wall, it's hard to imagine a time when the instrument wasn't a common texture And, as the liner notes ...

238

Article: Album Review

Jimmy Smith: Retrospective

Read "Retrospective" reviewed by Jeff Stockton


In over four hours of music spread across four discs, this collection demonstrates how Jimmy Smith revolutionized the Hammond B-3 as a jazz instrument of expressiveness and versatility, both as a sideman and as a leader. The usual Blue Note stars are here: Lou Donaldson's alto sax illuminates “Summertime" and cries the blues on “All Day ...


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