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Chick Corea in the Fusion Era - Acoustic and Electric (1966 - 1973)
by Russell Perry
Chick Corea began recording as a sideman for artists like Mongo Santamaria, Blue Mitchell, Herbie Mann and Cal Tjader in 1962. In 1966, he started his career as a leader, while still touring with Stan Getz. Like many others, his studio work and touring with Miles Davis from 1968--1970 raised his profile, leading him to a ...
March Birthdays
by Marc Cohn
March birthdays this week on G&M! And some big ones too! Celebrating 90th birthdays: Ornette Coleman, Blue Mitchell and Tommy Flanagan. Celebrating 80th birthdays: Al Jarreau as well as Lew Tabackin, Ralph Towner and Astrud Gilberto} (the latter 3 still with us). Also, among the living, {{m: Wolfgang Muthspiel, Jessica Williams and Ralph Alessi. And, wherever ...
Win Pongsakorn: Yes, It Is!
by Jack Bowers
Although it may take a while (if ever) for Pongsakorn “Win" Lertvanitsutha to become a household name outside his native land, the twenty-nine-year-old trumpeter from Thailand makes an impressive debut on Yes, It Is!, a buoyant studio session, recorded in Italy, that makes room for a brace of guest appearances by Pongsakorn's mentor, Jim Rotondi. Besides ...
Results for pages tagged "Blue Mitchell"...
Blue Mitchell
Born:
Blue Mitchell was born March 13, 1930 in Miami, Florida. He took up trumpet in high school where he acquired his nickname. After high school, he toured with R&B bands led by Paul Williams, Earl Bostic, and Chuck Willis. After returning to Miami, he was heard by Cannonball Adderly, who took him to New York to record for Riverside in 1958. Mitchell gained a reputation working with Horace Silver’s quintet from 1958 to March of 1964, where his lyrical playing and beautiful tone perfectly complemented Silver’s simplified, soulful brand of bop. When Silver disbanded in 1963, Mitchell formed his own group, employing most of his fellow musicians, with Silver's place being taken by Chick Corea
Blue Mitchell: Smooth as Wind
One more Tadd Dameron album that is a masterpiece—Blue Mitchell's Smooth as the Wind. Recorded in 1960 and '61 for Riverside, the album showcased Mitchell's fleshy trumpet backed by sophisticated and sympathetic brass and strings. Seven of the songs were arranged by Dameron, with the remaining three by Benny Golson. The songs arranged by Dameron are ...
Phineas Newborn Jr. and Miles Davis
by Joe Dimino
To commemorate the 600th full episode of Neon Jazz outta Kansas City, we focus on the life of Memphis-born bass cat Jamil Nasser. His son, Muneer, penned his biography and it's called Upright Bass: The Musical Life & Legacy of Jamil Nasser. George Joyner, Jamil Sulieman, and Jamil Nasser are three names that appear on the ...
Phineas Newborn Jr. and Oscar Dennard
by Joe Dimino
To commemorate the 600th full episode of Neon Jazz outta Kansas City, we focus on the life of Memphis-born bass cat Jamil Nasser. His son, Muneer, penned his biography and it's called Upright Bass: The Musical Life & Legacy of Jamil Nasser. George Joyner, Jamil Sulieman, and Jamil Nasser are three names that appear on the ...
50th Anniversary Blue Notes for May & More
by Marc Cohn
May 1969 saw Blue Note recording some 'Brazilian' jazz, soulful tunes and two 'spiritual' jazz sessions--a very broad palette. Some are fantastic and some mundane. Listen and see what you think. Also a few other 50th anniversary bits, Blue Note #9 and a tad more. Enjoy the show.
Al Hood and the H2 Sextet: Jazz Muses
by Nicholas F. Mondello
There's something fascinating about the word “inspire." We know from Latin that the word derives from inspirare, meaning “to breathe" or “blow into." It is the perfect theme as presented for trumpeter Al Hood and the H2 Sextet's terrific album, Jazz Muses. Not only is Hood inspired by his Jazz Muses, but his blowing here takes ...
Timeless All Stars: At Onkel Po's Carnegie Hall: Hamburg 1982
by Chris May
They were timeless and they were all stars. Bobby Hutcherson, Harold Land, Curtis Fuller, Cedar Walton, Buster Williams and Billy Higgins got together in the early 1980s to play post-hard-bop jazz in the studio and on the US and European performance circuits. The band recorded three fine albums between 1982 and 1986. At Onkel Po's Carnegie ...
