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ARTICLE: ALBUM REVIEW

Jon Davis: Changes Over Time

Read "Changes Over Time" reviewed by Blaine Fallis

Jon Davis plays with a richness of soul, exhibiting a well versed jazz character that can go from Jaco (whom he worked with for several years), New Orleans swamp, and freedom jazz dance, to Stevie Wonder, and back. Although he doesn't try to sound like Bill Evans, he did pen a tune called Waltz for U, ...

ARTICLE: ALBUM REVIEW

Walt Weiskopf: Open Road

Read "Open Road" reviewed by Blaine Fallis

"Premonition" was the perfect opening tune on Walt Weiskopf's Open Road album, because it sets the tone. It even matches the album cover...we're going somewhere fast, barely able to quite focus in due to the speed. But it's exciting! Bassist Mike Karn drives the band until 1:45 when he and pianist Peter Zak suddenly ...

ARTICLE: ALBUM REVIEW

Chris McNulty: Eternal

Read "Eternal" reviewed by Blaine Fallis

Losing a child. The pain can't be explained, although a close personal friend of ours lost their first born during childbirth. After the months of preparation, the painting of rooms, the choosing of a name. In response to their loss, they built a gorgeous rose garden, and placed poetic emblems on the back fence. And our ...

ARTICLE: ALBUM REVIEW

Joel Harrison: Spirit House

Read "Spirit House" reviewed by Blaine Fallis

Spirit House is a Joel Harrison original! Original compositions, ideas, instrumentations, and grooves. While jazz sometimes repeats itself (in style, instrumentation, or choice of songs etc.), Harrison creates completely new music worth listening to, “repeatedly." I say this because he wrote the music “specifically for this unique group of individuals," using electric guitar with ...

ARTICLE: INTERVIEW

Matt Renzi: Between the Lines

Read "Matt Renzi: Between the Lines" reviewed by Blaine Fallis

Matt Renzi is a multi-reedist, best known for his tenor sax playing and clarinet (his two main horns), but who has a knack for picking up other instruments as needed such as oboe, piccolo and flute. His New York City-based trio has been well-recognized for its group improv and composition and has recorded several CDs. Also ...

ARTICLE: ALBUM REVIEW

Matt Renzi: Lunch Special

Read "Lunch Special" reviewed by Blaine Fallis

Lunch Special should win a marketing award for having the freshest CD design concept, although the actual photo of linguine with oysters used as the CD imprint may not be as fresh as the music itself. At least the designer was nice enough to reveal a relatively clean plate inside the tray card once the CD ...

Ralph Bowen: Dedicated

Read "Ralph Bowen: Dedicated" reviewed by Blaine Fallis

Ralph Bowen Dedicated Posi-Tone Records 2009 Tenor saxophonist Ralph Bowen's Dedicated is a project that was nurtured and produced by Posi-tone Records' founder Marc Free, who felt that Bowen was under-appreciated by the jazz public at large. Bowen has influenced hundreds of players through his teaching position at ...

ARTICLE: LIVE REVIEW

Stanton Moore Trio at the Last Concert Cafe

Read "Stanton Moore Trio at the Last Concert Cafe" reviewed by Blaine Fallis

Stanton Moore Trio Last Concert Cafe Houston, Texas December 5, 2008 Jazz shows don't always draw large crowds in Houston, especially for music that leans towards experimental funk, but the Stanton Moore Trio's show at The Last Concert Cafe was in fact very well attended, and the venue's outdoor stage ...

ARTICLE: ALBUM REVIEW

Kate McGarry: Less is More... Nothing is Everything

Read "Less is More... Nothing is Everything" reviewed by Blaine Fallis

Coming across Kate McGarry's If Less is More... Nothing is Everything on an iPod in shuffle mode, it's possible that “Man of God," might be followed by “The Priest" and “Just What I Needed;" a couple of spiritual songs followed by a slow acoustic version of the hit song by The Cars. Listeners might at first ...

ARTICLE: LIVE REVIEW

Tim Hagans: Subversive Jazz in Houston

Read "Tim Hagans: Subversive Jazz in Houston" reviewed by Blaine Fallis

Tim Hagans, Subversive Jazz DiverseWorks Theater Houston, Texas August 10, 2008 What would you expect when going to hear trumpeter Tim Hagans heading up a jazz show called Subversive Jazz, at DiverseWorks Theater in Houston Texas? Perhaps a free-flowing trumpet intro, followed by gongs and trap set? Sure. But when ...


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