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Damani Phillips: The String Theory
by Victor Verney
Damani PhillipsThe String TheorySelf Produced2010 The idea of adding strings to a jazz combo has long been a divisive issue among the music's aficionados. It's often disparaged by many purists as a commercial sell-out, similar to the “fusion" concept of marrying jazz with rock. One self-proclaimed hard ...
Deborah Brown: For The Love Of Ivie: A Tribute to Ivie Anderson
by Victor L. Schermer
Ivie Anderson was Duke Ellington's mainstay singer from 1931 to 1942, melding the depth of Billie Holiday with the sophisticated attitude of Lena Horne. Deborah Brown is one of the finest modern jazz vocalists ever to grace live venues and recording studios. In common with Anderson, she is a musician's vocalist, having played with the likes ...
Matthew Shipp: The Art of the Improviser
by John Sharpe
Any who have witnessed Matthew Shipp in action over the past few years will know that the pianist's bravura concert displays often eclipse his studio output. Unlike many jazz musicians the vast majority of Shipp's oeuvre has been recorded away from an audience. His previous four releases on Thirsty Ear have alternated between trio and solo ...
The Guitar Stylists of CTI Records
by Dan Bilawsky
In many ways, the guitarists who recorded for the CTI label owe a great debt to the late Wes Montgomery. Guitarist Montgomery's last recordings, before his untimely death from a heart attack, were like a laboratory test for producer Creed Taylor. At the time, Taylor was still trying to work out a formula to balance the ...
Matt Haimovitz/Uccello: Meeting of the Spirits
by Ian Patterson
Matt Haimovitz/Uccello Meeting of the Spirits Oxingale Records 2010 That the classical music world should visit jazz repertory is not without precedent. As the saying goes, there's nothing new under the sun. However, the spirits summoned here belong to that of visionary musician and internationally renowned cellist Matt ...
Going Solo: One is NOT the Loneliest Number
by Mark Corroto
With the advent of new and affordable recording technologies capable of delivering exceptionally high quality sound, the market for idiosyncratic solo recordings is flourishing--in an era when so many are lamenting the death of jazz. Released mostly on small labels or as self-produced projects, the recordings are reminiscent of the cassette culture from the DIY 1980s ...
Doug Webb: Renovations
by Bruce Lindsay
April 24, 2009 was a busy day for saxophonist Doug Webb, his fellow musicians and the production team at North Hollywood's Entourage Studios. Recordings from that day have already been released on the excellent Midnight (Posi-Tone 2010): now Renovations delivers more music from the session, and very welcome it is, too. As with ...
The Center for Jazz Studies at Columbia University presents: African Rhythms: The Autobiography of Randy Weston
A book reading and signing with Randy Weston and Willard Jenkins Packed with fascinating anecdotes, African Rhythms is Randy Weston's life story as told to the music journalist Willard Jenkins. It encompasses Weston's childhood in the Brooklyn neighborhood where his parents imbued him with pride in his African heritage, his introduction to jazz, and his early ...
Grace Kelly / Phil Woods: Man With the Hat
by Larry Taylor
Jazz veteran Phil Woods carries the alto sax torch from Charlie Parker, following in the footsteps of Art Pepper, Cannonball Adderley and Lee Konitz. Now he bestows the honor on 18-year-old altoist/vocalist Grace Kelly, its light shining on Man With A Hat. Woods, 80, with over a half-century of playing, first met Kelly ...
Dan Block: From His World To Mine: Dan Block Plays The Music Of Duke Ellington
by Edward Blanco
Bandleader and accomplished reed man Dan Block is an exponent of traditional and swing jazz, and pays homage to the music of Duke Ellington with From His World To Mine: Dan Block Plays The Music Of Duke Ellington. The repertoire's avoidance of the usual Ellington standards and classics makes this a unique project unlike other tributes ...
