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Results for "Billy Strayhorn"
All Ellington: All Ellington
by Mark Corroto
When Eric Boeren assembles a cast of musicians to play the music of Duke Ellington and Billy Strayhorn you know it won't be your father's Ellington. Well, unless your father is very, very hip. You probably already expect this, knowing Boeren has been a mainstay of the new Dutch swing for decades. With his All Ellington ...
Bill Frisell | Thomas Morgan: Epistrophy
by John Kelman
When ECM Records released Small Town in 2017, beyond capturing the profound intimacy and musical ability to “finish each other's sentences" shared by the first recorded document of guitarist Bill Frisell and bassist Thomas Morgan in a duo setting, one of the biggest walk-aways was the hope that this would not be a one-off. Two years ...
Susanna Risberg: Bold As Love
by Ian Patterson
Listen to Susanna Risberg playing and it doesn't take long to realize that the twenty-eight-year-old Swedish guitarist is a bit special. Despite her relatively young years Risberg has been gigging for fifteen years already, turning more than a few heads along the way with a style that is unflashy yet exciting, technically impressive yet emotionally keen. ...
Jay Thomas with the Oliver Groenewald NewNet: I Always Knew
by Jack Bowers
There aren't many jazz musicians who play both brass and woodwinds, fewer still who play them as well as the veteran Seattle-based virtuoso Jay Thomas (the word “virtuoso" is used with due care). On I Always Knew, recorded in January 2018 with German-born trumpeter / arranger Oliver Groenewald's NewNet, Thomas traverses the ballad form on a ...
Sonny Buxton: Strayhorn’s Last Drummer, A Radio Master Class Mid-Day Saturdays
by Arthur R George
Sociologist, anthropologist, historian: storyteller, raconteur, entrepreneur and griot, in the guise of a deejay. Registrar, dean, professor: The jazz class of Sonny Buxton is barely concealed as entertainment within his weekly radio program every Saturday 10 a.m. to 2 p.m. Pacific time on San Francisco Bay Area FM station KCSM 91.1, streaming live on kcsm.org.
Eric Bernhardt: The Four Sidemen Of The Apocalypse
by Rob Rosenblum
On the surface, Eric Bernhardt is one of the many faceless, aspiring jazz musicians who hit the clubs on Frenchman Street in New Orleans, playing for tips and hoping to get noticed. What separates him from the rest is that he is a monster jazz musician. Recently encountered in a desperate-looking club called the ...
Gina Leishman: This New York Life
by Michael Blake
On the late summer afternoon I visited composer Gina Leishman, we couldn't meet in her apartment because it was under repair. A pipe had burst so a friend was loaning her apartment to Gina for a few days; one of those little studio apartments that New Yorkers manage to transform into what seems like a sprawling ...
2018: The Year in Jazz
by Ken Franckling
The year 2018 was a busy one for the jazz world. The genre's version of the #MeToo movement resulted in a new Code of Conduct and other efforts to make the music workplace more equitable. International Jazz Day brought its biggest stage to St. Petersburg, Russia. The Thelonious Monk Institute of Jazz, which ran a high-profile ...
Marion Brown/Dave Burrell: Live at the Black Musicians' Conference, 1981
by Mark Corroto
One of the benefits of our digital music world is the ability to drive deeply into the jazz narrative. By that I mean, preserving the story of important musicians, the ones whose story was omitted from the Ken Burns' CliffsNotes history of jazz. Without a few labels and several producers, musicians like Bobby Naughton, Clifford Thornton, ...
Jay Thomas with the Oliver Groenewald Newnet: I Always Knew
by Paul Rauch
Jay Thomas has lived the jazz life. He has endured, overcome, and continued to artistically thrive through all the ruminations of a path chosen by few. While much of his life may form a parallel story to those of many, Thomas' version, his personal adjunct to its litany, is a story of artistic triumph that opened ...
