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Results for "Bill Frisell"
Chris Cheek: Saturday Songs
by Jakob Baekgaard
The idea that jazz has to renew itself sometimes results in rather pretentious and purely intellectual experiments with form, but it is possible to play inventive and intellectually stimulating music without losing a sense of fun and inclusive curiosity. Saxophonist Chris Cheek is the proof. Cheek comes with a refreshingly unprejudiced approach to ...
Three New Releases from Peter Kuhn
by Dave Wayne
Clarinetist Peter Kuhn came up in the 1970s. In those days, one could count the number of modern jazz clarinet specialists on one hand: John Carter, Perry Robinson, Theo Jorgensmann, Alvin Batiste and—if you include the bass clarinet—Michel Pilz. So, one hand and a finger. Still associated with Benny Goodman, Dixieland and Swing, the clarinet was ...
Mats Eilertsen: Rubicon
by John Kelman
It's no news to learn that we're the confluence of our many experiences: life, love, music....everything that we are comes from where we've been, what we've done, what we've experienced. That said, it doesn't mean that we can't move in completely new directions or try something completely foreign to us. Still, it's almost impossible to do ...
Guitars Galore: Major Vistas, Joe Policastro Trio, Dan Arcamone, Charlie Ballantine, Sound Underground, & Kay-Ta Matsuno
by Mark Sullivan
A brief overview of several notable 2016 contemporary jazz releases featuring guitarists. Major Vistas Minor Anthems Self Produced 2016 A fresh approach to the jazz trio, and the debut release from Madison, Wisconsin's Major Vistas. Keyboardist Mike Weiser says he thinks of it as a modern “organ" ...
Festival International de Jazz de Montreal 2016
by John Kelman
Festival International de Jazz de Montréal Montréal, Canada July 3-7, 2016 In many ways, the front of one of the festival's new T-Shirt designs said it all: swing blues soul improvisation latin gospel R 'n' B crossroads silence groove world ...
Bastet: Freedom is a State of Mind
by Dave Wayne
The tough thing to do with a jazz trio of any kind is to make an impression. There are lots of trios out there--economically it's the best configuration if one wants to take home a little cash from the gig--and a lot of them are good. A few are great. Nearly all of them are more-than-competent, ...
Ed Neumeister: Suite Ellington
by Karl Ackermann
A complete summary of trombonist Ed Neumeister's musical career would date back to his pre-school years. Initially a regular fixture on the San Francisco circuit, he later immersed himself in the New York jazz scene dividing almost thirty-five years between the Duke Ellington Orchestra and the Mel Lewis Big Band. His additional experiences with classical orchestras ...
Allen Toussaint: American Tunes
by Mike Jacobs
When it comes to the New Orleans sound and its purveyors, drummers may be the most integral, but the most celebrated are perhaps the pianists. Longhair, Booker, Rebbenack, Cleary, and even Fats Domino are all acknowledged to be in that pantheon. And certainly the name Toussaint has long been counted among them as well but, outside ...
Stu Brown: Twisted Toons Vol. 2 (The Music of Carl Stalling, Scott Bradley and more...)
by Roger Farbey
Cue the opening titles and the all-too familiar theme of “The Merry-Go-Round Broke Down"; a blast of which at just 23 seconds is enough to place the listener in the mood for the ensuing fifty five minutes of mayhem-inspired melodies. This is Stu Brown's second paean to the great cartoon score composers. His first ...
Julian Lage: Arclight
by Mario Calvitti
Il nuovo album del chitarrista Julian Lage, che segue a breve distanza di tempo il precedente World's Fair, ci dà un'ulteriore dimostrazione del suo immenso talento. A soli 28 anni, e con già 20 anni di attività professionale alle spalle, Lage ha accumulato un bagaglio tecnico strumentale di assoluta eccellenza, che ha modo di esibire anche ...
