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Bill Evans' Behind The Dikes: The First Official And Complete Release Of The 1969 Netherlands Recordings On Elemental Music Records
The first official release of three extraordinary live performances by jazz legend Bill Evans, will be available for the second drop of Record Store Day on July 17th for the 3-LP SET edition and on July 23rd for the deluxe 2-CD SET. Remastered from the original tape reels housed at the Nederlands Jazz Archief, this limited ...
The MPS Records legacy resumes with vinyl releases of Ella Fitzgerald’s 'Sunshine Of Your Love' and Freddie Hubbard’s'The Hub of Hubbard'
Jazz history was forged in the rustic Black Forest of Germany in 1968 when Hans Georg Brunner-Schwer launched MPS Records and recorded some of the genre’s seminal artists. Legends like Ella Fitzgerald, Dizzy Gillespie, Oscar Peterson, Dexter Gordon, Freddie Hubbard, The Count Basie Orchestra and George Duke released albums on the prestigious label known for its ...
Julian Lage: Squint
by Chris May
Before discussing guitarist Julian Lage's album, some food for thought... A credible argument could be put forward to say that the jazz piano trio reached its pinnacle of perfection with Bill Evans' Village Vanguard performances of June 1961, with the trio of bassist Scott La Faro and drummer Paul Motian, and that trios led by guitars, ...
Craft Recordings Celebrates The Legacy Of Bill Evans With First-Ever Career-Spanning Collection, Everybody Still Digs Bill Evans: A Career Retrospective (1956–1980)
Craft Recordings proudly honors the pioneering jazz artist Bill Evans and his enduring musical contributions, with two new titles. The first—a deluxe, five-CD box set and digital album, titled Everybody Still Digs Bill Evans: A Career Retrospective (1956–1980)—marks the first-ever career-spanning collection of music from the pianist, featuring over 60 tracks that spotlight Evans’ exceptional work ...
Lost Within Jobim, the BOOM, and You
by Chris M. Slawecki
Albare Plays Jobim Vol. 2 Alfi Records 2021 “I was 14 when I first heard the music of Tom Jobim," recalls Albare, nom de guerre of guitarist Albert Dadon. “I already had six years of guitar learning under my belt. When I first heard those bossa ...
Sean Michael Giddings: Red Willow
by Dan McClenaghan
Keyboardist Sean Michael Giddings cites pianist Vince Guaraldi, the composer of the Charles Schultz Peanuts cartoon soundtracks (among other things), as one of his influences. Guaraldi is joined in that “sphere of influence" club by the usual suspects—Brad Mehldau, Bill Evans, Keith Jarrett--who all play a part in Giddings' sound. But Guaraldi's spirit—the accessible lyricism, the ...
Ricardo Pinheiro: Turn Out The Stars—The Music Of Bill Evans
by Pierre Giroux
Much has been written about pianist Bill Evans and the influence he had on the development of new piano voices following his emergence in the 1950s. Evans infused his style with eloquent lyricism, coupled with harmonic transpositions and modal improvisations, all of which lead to an easily recognizable sound. It should be no surprise that his ...
Spike Wilner, Curtis Fuller & Sarah McKenzie
by Joe Dimino
Our 701st Show begins with Sarah McKenzie and a great tale from the quarantine. The result is her single “Schneller." We continue to watch the world of music open up with live shows and Spike Wilner is leading the charge. He has new music with his 2021 CD Aliens & Wizards. We continue to profile musicians ...
Gordan Spasovski Trio: Light Pillar
by Nenad Georgievski
Pianist Gordan Spasovski's debut album Light Pillar moves fluidly from meditative notes to bursts of rapid-fire jabs, meticulously sculpted by the accompanying band. A ubiquitous presence in Skopje's jazz community for several years Spasoski shows up his abilities as a bandleader, and his wealth of talent, vision, and discipline on this record. He leads an excellent ...
Gli Unscientific Italians e l'arte della meta-sintesi Friselliana
by Ludovico Granvassu
Se Nanni Moretti fosse nato nel 1973 invece che nel 1953, la famosa scena di Caro Diario che lo vede in sella ad un vespone per le strade vuote di una languida Roma ferragostana avrebbe avuto come colonna sonora la musica di Bill Frisell piuttosto che quella di Keith Jarrett. Perchè ogni epoca viene definita da ...
