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3x3: Piano Trios: September 2022
by Geno Thackara
Teemu Kekkonen Here/There Self produced 2022 Teemu Kekkonen does indeed cross a lot of both “heres" and “theres" during the course of Here/There. His debut has one foot in his native Finland's folk roots and one in the most urbane of metropolitan clubs. It could instead refer to jazz's past and ...
Jazz From Movie and TV Music
by Jerome Wilson
This show features jazz versions of movie and television music, both soundtrack themes and songs that originated in movies. Musicians heard on the show include Dominique Eade, Bill Evans, Sonny Rollins, Bing Crosby, Marty Krystall, and Eri Yamamoto. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & ...
Nica Carrington: Times Like These
by Pierre Giroux
Intrepid may be the best word to use to describe the singer Nica Carrington's self-produced debut album. Not many months before recording it, Nica, who had been taking voice lessons, came across the highly regarded Los Angeles based pianist, arranger, and jazz voice instructor John Proulx, who thought that she showed such promise that he was ...
Herbie Hancock: An Essential Top Ten Albums
by Chris May
The title of Herbie Hancock's 1973 hit single “Chameleon," pulled from his jazz-funk monster Head Hunters (Columbia), was an apt one. Hancock had already undergone several transformations: from the blues-and-gospel-infused vibe of his Blue Note debut, Takin' Off (1962), to more experimentally inclined Blue Note albums in the mid-to-late 1960s, and on to his early 1970s ...
Michael Pedicin: 'Just the Three of Us' at Chris’ Jazz Café
by Victor L. Schermer
Michael Pedicin: Just the Three of Us Chris' Jazz Café Philadelphia, PA September 10, 2022 This superb set of mainstream jazz by three accomplished and dedicated musicians: Michael Pedicin on tenor saxophone, Jim Ridl on piano, and Dean Johnson on bass, owes much of its successful execution to ...
Bill Evans: You Must Believe In Spring (Hybrid SACD)
by Doug Collette
The quietude with which “B Minor Waltz (For Ellaine)" opens You Must Believe In Spring belies the hearty homage this release constitutes in recognition of the title's forty-fifth anniversary. As a means of righteous and deserving tribute to his seventieth studio album, the late Bill Evans' debut for the Warner Bros. label is enhanced in a ...
Backgrounder: Bill Evans - 'Solo Sessions, Vol. 1'
In January 1963, producer Orrin Keepnews brought Bill Evans into the studio to record solo. It's unclear whether Orrin did this to bank away Evans tapes prior to him signing with Verve or whether this was done because Evans needed cash and Keepnews decided to record him early in order to advance him payment. Either way, ...
Franco D'Andrea Meets DJ Rocca: rimodulare i riff
by Giuseppe Segala
Il triplo CD Franco D'Andrea Meets DJ Rocca, pubblicato dall'etichetta Parco della Musica Records, rappresenta un ulteriore, significativo tassello nella vicenda artistica del pianista. Lo dice il titolo: si tratta di un incontro a due, fortemente voluto da D'Andrea, che arriva dopo il lavoro degli scorsi anni con DJ Rocca, scandito dall'album in trio con Andrea ...
New Releases from Geoffrey Keezer, Billy Drummond, Sonica, Plus Birthday Celebrations For Carolyn Leigh, Iola Brubeck, Trudy Pitts, Mary Stallings & More
by Mary Foster Conklin
This broadcast presents new releases from Geoffrey Keezer, Billy Drummond & Freedom of Ideas, plus singles from Carol Albert and new group Sonica (Thana Alexa, Nicole Zuraitis & Julia Adamy), with birthday shoutouts to lyricists Carolyn Leigh, Iola Brubeck, organist Trudy Pitts, vocalist Mary Stallings and trombonist Naomi Moon Siegel among others. Thanks for listening and ...
CTI Records: Ten Tasty Albums With No Added Sugar (Almost)
by Chris May
Few jazz producers divide opinion as much as Creed Taylor. He is a hero to many and a villain to as many more. His fans love him for his high production values. His detractors accuse him of dumbing jazz down with excessively sweetened orchestrations and other sales-oriented compromises. Nowhere is the dispute more heated than over ...
