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Take Five With Adam Shulman
by AAJ Staff
Meet Adam Shulman: Adam Shulman has been a staple of the San Francisco Jazz scene since he moved to the city in 2002. Before the move, Adam was a student at UC Santa Cruz where he studied with the great Smith Dobson and the trumpeter/arranger Ray Brown. He received his degree in classical performance under the ...
Jazz Eyes: Eyes and Ears Wide Open
by Jakob Baekgaard
In jazz, spontaneity is essential. It can also be useful when setting up a label. So it's no great coincidence that, once the Italian jazz enthusiasts Paolo Siculiana and Toti Cannistraro realized they both loved the production and distribution of records, their Jazz Eyes label rapidly became a reality. “The story starts on a dark night," ...
Andy Milne / Benoit Delbecq: Where is Pannonica?
by George Kanzler
Occasioned by a commission from Chamber Music America's French-America Jazz Exchange and realized during a three-week composing/recording residency at the Banff Centre in Canada in 2008, this is a fascinating project, pushing the boundaries of the piano duo format. Using Steinway D grands that were often--mostly in Benoit Delbecq's case--altered with prepared devices (objects on strings) ...
Laurence Hobgood: When The Heart Dances
by C. Michael Bailey
Kurt Elling's long-time pianist, Laurence Hobgood, is no stranger to leading a recording session. He has released four previous recordings on Naim Jazz in the last 10 years. He is a durable pianist, a bit of a cross between Red Garland and George Winston, with a smidge of Bill Evans thrown in for seasoning. On When ...
Charmaine Ford/Nick Tipping/Richard Wise: After the Last Dance
by Matthew Warnock
After the Last Dance is a hard-grooving, impressively creative release by New Zealand's Ford/Tipping/Wise Trio. While some people wouldn't think of New Zealand as being a hotbed for modern jazz, these three musicians are aiming to change that and bring to light the strong NZ jazz scene with this release. Each tune is thoughtfully composed and ...
Steve Kuhn: Shimmering Beauty
by Maxwell Chandler
This interview was originally published on All About Jazz on March 2, 2009. Whether it is in his trio, collaborating with vocalists or accompanying an orchestra, pianist Steve Kuhn has always managed to effortlessly defy and combine genres. Whether it is an older recording or one of his newer albums, an inherent ability to ...
Rick Germanson Trio: Off the Cuff
by John Kelman
With so many mainstream piano trios flooding the market, it's increasingly difficult to separate the wheat from the chaff. It's easier when, in the instance of a Brad Mehldau, John Taylor or Enrico Pieranunzi, the artist's voice is so distinctive and approach so readily identifiable that there can be little doubt of its relevance. It becomes ...
Carsten Dahl / Mads Vinding / Alex Riel: In Our Own Sweet Way
by Chris Mosey
After Paris, Copenhagen was the European refuge for American jazz musicians fleeing racial and sometimes political oppression in their homeland in the postwar years. Ben Webster is buried there (in the same cemetery as Søren Kierkegaard), Dexter Gordon and Johnny Griffin locked horns there. Such greats created a solid local scene, which continues to produce some ...
Arturo O'Farrill: Upholding the Latin Tinge
by R.J. DeLuke
Arturo O'Farrill, an extraordinary pianist, admits he came out of the bebop school of playing, a Bud Powell disciple, and his strong chops would attest to that. He didn't pursue the music of his father—the great Chico O'Farrill—in his younger days, but he came upon it as he studied the music. He came to not only ...
Marshall Vente Trio: Marshall Arts
by Matthew Warnock
Marshall Arts is an entertaining and engaging album by versatile Chicago pianist Marshall Vente. The recording features pieces written for each of Vente's two separate and highly distinct piano trios, the Jazz Trio and the Tropicale Trio. The album as a whole is divided into three sections, with the first three tunes featuring Vente's American jazz ...
