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10

Article: Album Review

Marc Johnson / Eliane Elias: Swept Away

Read "Swept Away" reviewed by John Kelman


It's a relatively rare occasion when Marc Johnson releases an album under his own name, but based on the bassist's track record--from Bass Desires (ECM, 1985) through to Shades of Jade (ECM, 2005)--it's always one to celebrate. As Johnson fast approaches 60, it seems like only yesterday that he emerged as the bassist in Bill Evans' ...

News: Interview

Bill Evans: Carnegie Hall (1976)

Bill Evans: Carnegie Hall (1976)

On June 25, 1976, three months before Bill Evans recordedTogether Again, his second album with Tony Bennett, the pianist appeared at the Newport Jazz Festival in New York with Bennett. In fact, the event at Carnegie Hall was billed as An Evening with Tony Bennett and featured two sets—one with the Bill Evans Trio and a ...

1

Article: Album Review

Fred Hersch Trio: Alive At The Vanguard

Read "Alive At The Vanguard" reviewed by Larry Taylor


Pianist Fred Hersch's Alone at the Vanguard (Palmetto) was chosen by many as one of 2011's best, and rightfully so. Now, following up that solo album, is Alive at the Vanguard, a double album which finds the pianist with his current trio. Playing together since 2010, Hersch has settled in comfortably with bassist John ...

3

Article: Album Review

Chick Corea & Gary Burton: Chick Corea & Gary Burton: Hot House

Read "Chick Corea & Gary Burton: Hot House" reviewed by Doug Collette


The creative connection upon which vibraphonist Gary Burton ruminates to such length, in his essay for Hot House, is evident from the first instrumental exchanges with longtime collaborator, pianist Chick Corea. Burton and Corea complete each others' thoughts throughout “Can't We Be Friends," sounding as effortless and natural--arguably more so--as the seamless improvisations that earmarked their ...

4

Article: Album Review

Fred Hersch Trio: Alive at the Vanguard

Read "Alive at the Vanguard" reviewed by Dan McClenaghan


Pianist Fred Hersch has found a place to come alive: The Village Vanguard, where so many great live albums have been recorded. Saxophonists John Coltrane and Sonny Rollins, pianist Bill Evans and drummer Paul Motian also found the New York City venue a prime spot for live recordings. Hersch revisits the venue with Alive the the ...

6

Article: Book Review

Duncan Heining: George Russell - The Story of an American Composer

Read "Duncan Heining: George Russell - The Story of an American Composer" reviewed by John Kelman


George Russell: The Story of an American Composer Duncan Heining 376 pages, hardback ISBN: 978-0-8108-6997-4 Scarecrow Press 2010 It's been out for a couple years now, but any book about American composer and founder of the Lydian Chromatic Concept of Tonal Organization—if not the most influential musical concepts ever ...

3

Article: Album Review

Jonathan Gee: Dragonfly

Read "Dragonfly" reviewed by Mark Corroto


50 years ago, modern jazz piano trios would barely be recognizable to the majority of their counterparts--except perhaps Bill Evans' trio. Today, cutting-edge jazz trios require interaction between players and expect both drummer and bassist to be more than just disciples. Trio leaders such as Jason Moran, John Escreet, Matthew Shipp all write and perform their ...

12

Article: Interview

Mike LeDonne: Where There’s Smoke

Read "Mike LeDonne:  Where There’s Smoke" reviewed by Bob Kenselaar


Mike LeDonne has more than made his mark in jazz over the years, on both piano and organ. One of the New York jazz scene's premier instrumentalists, he's long been a favorite of fellow musicians. “He is incredible," said the late Oscar Peterson, who once described how he would rush to hear LeDonne play every night ...

4

Article: Live Review

Montreal Jazz Festival: Montreal, Canada, June 28-July 7, 2012

Read "Montreal Jazz Festival: Montreal, Canada, June 28-July 7, 2012" reviewed by Greg Thomas


Festival International de Jazz de MontréalMontréal, CanadaJune 28-July 7, 2012From the time of the airplane's descent to the airport in Montréal, I knew something was different and perhaps special about this place. Instead of a square or rectangular grid style of suburban housing plots, from my window I saw circular formations of housing, ...

3

Article: Album Review

Ferner/ Juliusson: Undertowed

Read "Undertowed" reviewed by Ian Patterson


The striking artwork on Undertowed serves as metaphor for guitarist Per-Arne Ferner and pianist Per Gunnar Juliusson's musical relationship. A brooding, cloud-heavy sky and a still sea seem like reflections of each other, or a seamless whole. The lone figure juxtaposed against this imposing landscape is at once a part of it, and yet apart. The ...


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