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2

News: Interview

Bill Evans and Carol Stevens

Bill Evans and Carol Stevens

Back in January 2014, I interviewed singer Carol Stevens (here and here), who recorded That Satin Doll for Atlantic in 1957. In 1959, she appeared in a TV pilot for a show called After Hours, featuring  Coleman Hawkins and Roy Eldridge among other top New York jazz musicians. At one point during my interview, I asked ...

1

News: Education

Music Education Monday: Inside the musical mind of Bill Evans

Music Education Monday: Inside the musical mind of Bill Evans

Since today marks 56 years to the day since Miles Davis began recording his landmark album Kind of Blue, for this week's “Music Education Monday" let's take a closer look at one of the musicians who played a key role in those sessions. Bill Evans was the pianist in what's often called Davis “first great quintet," ...

1

News: Recording

Miles on Monday: 56 years of Kind of Blue

Miles on Monday: 56 years of Kind of Blue

It was 56 years ago today that Miles Davis went into Columbia Records' 30th Street Studio in New York City to begin recording Kind of Blue, his best-known work that has been cited variously over the ensuing years as the best-selling, most influential, and greatest jazz album of all time. During that first session on Monday, ...

782

Article: Interview

Orrin Keepnews: Classic Producer of Classics

Read "Orrin Keepnews: Classic Producer of Classics" reviewed by R.J. DeLuke

by R.J. DeLuke

This interview was originally published in August 2007. As a city boy who took a liking to jazz music and extended it into a budding career as a journalist, Orrin Keepnews may have inadvertently veered into the record-producing arena that generated classic albums from a wide range of unforgettable artists. Maybe it was a ...

3

News: Obituary

Orrin Keepnews (1923-2015)

Orrin Keepnews (1923-2015)

Orrin Keepnews, a jazz record producer whose taste in music, integrity and respect for artists resulted in a vast body of legacy recordings by Thelonious Monk, Cannonball Adderley, Wes Montgomery and Bill Evans as well as dozens of other artists, died on March 1. He was 91. His Riverside label operated from 1953 to 1964. What ...

7

Article: Album Review

Ron Thomas: Impatience

Read "Impatience" reviewed by C. Michael Bailey

by C. Michael Bailey

There is something elemental about the jazz piano trio. It is classically called the “Rhythm Section," that practical subset of a larger ensemble that produces the pulse that propels the band and compositions the band plays. It is also the most enduring of jazz performance formats that has included the giants of jazz. Whether it is ...

1

News: Obituary

Orrin Keepnews, RIP

Orrin Keepnews, RIP

The influential jazz producer, record company head and author Orrin Keepnews died today at his home in El Cerrito, California. He would have been 92 tomorrow. Keepnews guided the recording careers of Thelonious Monk, Bill Evans, Wes Montgomery, Sonny Rollins and many other leading jazz artists of the 20th Century. The announcement of his death came ...

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Article: Building a Jazz Library

Jazz With Strings

Read "Jazz With Strings" reviewed by Roger Crane

by Roger Crane

Please note the title of this collection. It does not include symphony orchestras playing jazz compositions. Nor does it feature what is known as “third stream" music, which is the combination of jazz and classical elements for what is hoped to be a unified whole. No, just like the title says, this collection includes jazz musicians ...

2

Article: Album Review

Sigurdur Flosason/Kjeld Lauritsen: Daybreak

Read "Daybreak" reviewed by Chris Mosey

by Chris Mosey

They used to call this kind of thing “mood music." The idea was to put the listener in a particular mood, usually one of calm and relaxation. When it came to jazz, the US label Prestige climbed on the bandwagon with a whole series titled--wait for it-- “Moodsville." Moodsville aimed at providing jazz ...

2

Article: Album Review

Sigurdur Flosason/Kjeld Lauritsen: Daybreak

Read "Daybreak" reviewed by Chris Mosey

by Chris Mosey

They used to call this kind of thing “mood music." The idea was to put the listener in a particular mood, usually one of calm and relaxation. When it came to jazz, the US label Prestige climbed on the bandwagon with a whole series titled--wait for it-- “Moodsville." Moodsville aimed at providing jazz ...


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