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Kurt Rosenwinkel: Caipirinhas and Constellations
by Geno Thackara
"It's the busiest I've ever been," Kurt Rosenwinkel happily declares during a rare week of down time at home in Berlin between tour legs. This would seem like quite a statement for someone established as a jack of many trades--luminary guitarist, music teacher, technological experimentalist and bandleader in several genre-hopping ensembles. These recent months have seen ...
Niculin Janett Quartet Featuring Rich Perry: No Parking Any Time
by C. Michael Bailey
I was beginning to wonder if there were any “blowing sessions" recorded today that did not sound so blatantly contrived. From Berlin comes such a recording by Swiss alto saxophonist Niculin Janett and his quartet. No Parking Anytime features New York City tenor saxophonist Rich Perry, whose own recent Organique (Steeplechase, 2016), with Gary Versace (Hammond ...
Neuköllner Modelle: Sektion 1-2
by Mark Corroto
The finest free jazz, that which is played at the highest levels, is actually quite tuneful. Not that the musicians rely on riffs or licks, or traditional themes. It is simply that the music, like an Abstract Expressionist painting, converges to form a whole. Just as a novice art student or someone without any art history ...
B-JAZZ 2017: Help Young Belgian Jazz Musicians Realize Their Dreams
Although governments in Europe are withdrawing their subsidies for the performing arts and life is getting more and more difficult for performing artists to earn their living, the jazz scene in Europe continues to forge ahead. Music colleges, academies, conservatories and jazz institutes are attracting more young musicians than they can enroll. The number of jazz ...
Julie Sassoon: Fourtune
by Duncan Heining
Fourtune is British pianist-composer Julie Sassoon's first quartet recording. Sassoon's musical approach draws in equal measure on her classical training and on a love of jazz and improvised music. This marriage goes far beyond the translation of a pianistic technique from one musical area to another but becomes something far deeper and more powerfully emotionally moving ...
Damir Out Loud: Graduation Day
by Luigi Sforza
Armoniosamente bipolare, o se si preferisce crocevia di esperienze stilistiche musicali apparentemente distanti tra loro, Graduation Day rappresenta innanzitutto un progetto di sintesi tra due evidenti pulsioni creative, ovvero il cool jazz di Gil Evans -morbido, multitimbrico e corposo -e la musica balcanica. Tra queste due polarità, che Damir Bacikin (serbo di origine e berlinese di ...
Meet Don Shire
by Tessa Souter and Andrea Wolper
Don Shire's club-hopping habit started in Pittsburgh, but his introduction to the capital of jazz was a 1971 Freddie Hubbard gig at New York jazz institution, the Village Vanguard. And he's still going strong 45 years later. One concert particularly stands out. “When it was over, the people just looked at each other. The feeling was, ...
Peter Brötzmann / Heather Leigh: Ears Are Filled With Wonder
by John Sharpe
Iconoclastic German reedman Peter Brötzmann has appeared in almost every conceivable combination and circumstance over the years, from the maelstrom of Last Exit to the austere horn choir of Sonore, via hook ups with almost everyone in between, counting such free jazz luminaries as Cecil Taylor, Anthony Braxton and Evan Parker. However on Ears Are Filled ...
Andreas Willers / Urs Leimgruber: Pale White Shout
by Glenn Astarita
Guitarist Andreas Willers (Germany) and saxophonist Urs Leimgruber (Switzerland) are among Europe's most prominent improvisers and free-thinkers. On this outing their experimental metrics are quite rangy and focused, offering the antithesis to a madcap free-form blowing session. The duo alternates between controlled thematic buildups and subdued encounters with polytonal dialogues along with certain parts that elicit ...
Cristián Alvear: Guitarist, Alone
by John Eyles
Leaving aside Jürg Frey's impressive contributions as a clarinetist, this two-CD set joins an already impressive list of Another Timbre releases featuring Frey as composer; these include Circles and Landscapes (2015), six solo piano pieces played by Philip Thomas, Grizzana and other pieces 2009-2014 (2015), a double CD of Frey compositions played by his own Ensemble ...
