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Curtis Counce: You Get More Bounce With Curtis Counce!
by Richard J Salvucci
When bassist Curtis Counce died of a heart attack at the age of 37 in 1963, the jazz world was deprived of a major talent. Not that one would have known much, for his death, while noted, was not extensively covered. Counce, a Midwesterner, had come to California and to Los Angeles to learn his craft, ...
Kate Gentile's New Opus, Music For Hi-Fi Bugs, David S. Ware
by David Brown
This week, an ambitious electro-acoustic release from drummer/composer Kate Gentile; big band works from Benny Carter, Pete Rugolo, Thad Jones/Mel Lewis and Gard Nelssen; Ellingtonia from the '60s new thing, and finally a birthday remembrance of David S. Ware. Old, new, in, out... wherever the music takes us. Each week, we will explore the elements of ...
The Jim Self & John Chiodini Quintet: Touch and Go
by Jack Bowers
A quintet whose front line consists of tuba, guitar and trumpet. How does that work? Quite well, actually--at least when that front line includes tuba master Jim Self, guitarist John Chiodini and trumpeter Ron Stout, ably supported by bassist Ken Wild and drummer Kendall Kay, on the Jim Self and John Chiodini Quintet's album, Touch and ...
Jazz Musician of the Day: Benny Carter
All About Jazz is celebrating Benny Carter's birthday today! Benny Carter's long career was consistently characterized by high musical achievement, and he developed a unique and readily identifiable style as both an alto saxophonist and an arranger. He was able to double on trumpet and was also proficient on clarinet, piano, and trombone. His saxophone playing ...
John Coltrane: Evenings At The Village Gate
by Mike Jurkovic
All music is, as are all our greater gestures and pursuits--poetry, painting, literature, sculpture, dance--spiritual by nature. An outreach by the artist and thus, by extension, us, beyond the daily argot of the ordinary. But sometimes those instances are so far and in-between, so masked by the lawlessness of the present moment, that our higher selves ...
Steven Feifke: The Generation Gap Jazz Orchestra
by Angelo Leonardi
Metti assieme un talentoso giovane orchestratore come Steven Feifke, un trombettista di prima grandezza come Bijon Watson e una big band con grandi nomi e prestigiosi ospiti e il risultato è scontato. Il debutto della Generation Gap Jazz Orchestra è stato propiziato dalla collaborazione col Jazz Education Network ed ha assunto le vesti di ...
Joe Chambers: Moving Pictures Orchestra: Live at Dizzy's Club Coca-Cola
by John Kelman
It's one thing to have an established `place in the jazz pantheon, another to continue redefining that position, long after others might be content to rest on their laurels. Joe Chambers' work behind the drum kit with artists including Andrew Hill, Bobby Hutcherson, Wayne Shorter, Freddie Hubbard, Charles Mingus, and McCoy Tyner has already ensured a ...
Contemporary Records 70th: Art Pepper and Benny Carter
by C. Andrew Hovan
In the pantheon of great jazz record labels, the name Contemporary Records looms large among fans and collectors alike. Akin to their east coast competitor, Blue Note Records, Contemporary was well known for its refined presentations. From the characteristic covers and well-written liner notes to the quality pressings, Lester Koenig's labor of love was home to ...
Marshall Gilkes, Trevor Dunn and Others
by Jerome Wilson
This show has an eclectic mix of jazz that encompasses swing, jazz-rock. jazz-folk, and the experimental. Musicians heard on the program include Marshall Gilkes, Trevor Dunn, Kurt Elling, Stuff Smith, and Nels Cline. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill ...
Contemporary Records 70th: Barney Kessel and Hampton Hawes on vinyl
by C. Andrew Hovan
Almost a century ago, times were different and folks with the gumption to forge their own paths were more likely to make a mark on history. When you think of the documentation of jazz, names like John Hammond, Francis Wolff, and Ahmet Ertegun were integral to spreading the word of America's unique art form. Far less ...
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