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1

Article: Album Review

Umlaut Big Band: Euro Swing Vol. 2

Read "Euro Swing Vol. 2" reviewed by Mark Corroto


In Elvis Costello's autobiography, Unfaithful Music & Disappearing Ink (2015), he writes about his mother working in a music shop in the 1940s in Britain, and how she somehow became an expert in acquiring American jazz records from musicians and other international travelers. Certainly, she learned her craft from other music sellers and fans, maybe a ...

3

Article: Album Review

Richie Cole: Pittsburgh

Read "Pittsburgh" reviewed by Jack Bowers


After a lifetime of movin' on that has taken him from Trenton, NJ, to cities, towns and hamlets across the country and around the world, it seems that alto saxophonist Richie Cole, now fifty-eight, is at last ready to settle down and plant some roots. As he declares in his latest album's opening number, “I Have ...

12

Article: Live Review

Montreux Jazz Festival 2016

Read "Montreux Jazz Festival 2016" reviewed by Ian Patterson


Montreux Jazz Festival 2016 Various Venues Montreux, Switzerland July 9-12, 2016 No matter at what point, or for how long you dipped into the Montreux Jazz Festival during the seventeen days of its 50th edition, the sense of history was palpable. Charles Lloyd was present, just as he was ...

5

Article: Album Review

Eugenia Choe: Magic Light

Read "Magic Light" reviewed by James Nadal


One of the most interesting aspects of jazz immersion studies is how it influences and affects players from diverse backgrounds. Korean born and classically trained pianist Eugenia Choe was drawn to jazz by its opportunities for compositional development and improvisational challenges, bringing to Magic Light a lyrical understanding of technical structure, and an intellectual ability to ...

6

Article: Interview

Discovering Wardell Gray: An Interview with Biographer Richard Carter

Read "Discovering Wardell Gray: An Interview with Biographer Richard Carter" reviewed by Victor L. Schermer


Part 1 | Part 2 | Part 3 [This is one of two interviews and an article intended to bring readers' attention to the under-recognized tenor saxophonist, Wardell Gray, whose brief career spanned the transition from swing to bebop and whose life was cut short by sudden and tragic circumstances.] Richard Carter ...

24

Article: Profile

Why the World Should Remember Wardell Gray

Read "Why the World Should Remember Wardell Gray" reviewed by Victor L. Schermer


Part 1 | Part 2 | Part 3 [This article is a commentary to accompany All About Jazz interviews about Wardell Gray with filmmaker Abraham Ravett and biographer Richard Carter, all of which are intended to bring readers' attention to this outstanding but under-recognized tenor saxophonist whose brief career spanned the transition from swing ...

6

Article: Album Review

Scott Hamilton & Jeff Hamilton Trio: Live In Bern

Read "Live In Bern" reviewed by Edward Blanco


Scheduled to play at the International Jazz Festival in the city of Bern, Switzerland in 2014, festival founder Hans Zurbrugg asked drummer Jeff Hamilton to bring his trio as the center-piece of the festivities that week. Also there the same week was saxophonist great Scott Hamilton adding another master of the jazz idiom to the lineup ...

7

News: Obituary

Delaware Water Gap jazz legend Phil Woods dies

Delaware Water Gap jazz legend Phil Woods dies

Jazz legend Phil Woods died Tuesday morning, according to Bensing-Thomas Funeral Home in Stroudsburg. He was 83 years old. Woods, who lived in Delaware Water Gap since 1976 and is one of the founders of the prestigious DWG Celebration of the Arts jazz and arts festival, recorded with jazz visionaries as Quincy Jones, Clark Terry, Thelonious ...

4

Article: Live Review

The Larry McKenna and John Swana Organ Quartet at Chris’ Jazz Café

Read "The Larry McKenna and John Swana Organ Quartet at Chris’ Jazz Café" reviewed by Victor L. Schermer


The Larry McKenna and John Swana Organ Quartet Chris' Jazz Café Philadelphia, PA

16

Article: Album Review

Jennifer Leitham: Mood (S)wings

Read "Mood (S)wings" reviewed by Jack Bowers


One of the rules of thumb in jazz is that hardly anyone ever looks forward to a bass solo. Rules, however, were made to be broken, and a case in point is multi-talented Jennifer Leitham whose solos on Mood (S)wings are nimble, well-crafted and consistently engaging--in other words, worth looking forward to. Not that anything less ...


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