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Jon Hendricks: An Essential Top Ten Albums

by Peter Jones
Considering he reached the ripe old age of 37 before recording an album, Jon Hendricks' jazz legacy is remarkable. Although a singer, in his head he was more of an instrumentalist. When he improvised, he would imitate the tenor saxophone, the flute, the trombone, or the double-bass. His professional singing career lasted from 1932, when he ...
Scott Hamilton and Duke Robillard: Swingin' Again

by Kyle Simpler
In 1987, Duke Robillard released the album Swing (Rounder), a successful combination of jazz and jump blues. He got his old friend, tenor saxophonist Scott Hamilton to help him out with the recording. Although Robillard is primarily known as a blues guitarist, the record made it obvious that jazz is also deeply rooted in his musical ...
Immanuel Wilkins: Omega is Just the Beginning

by Mark Robbins and Derrick Lucas
Saxophonist Immanuel Wilkins, in the midst of celebrating the success of his debut album Omega (Blue Note, 2020), appeared at the 2021 Newport Jazz Festival as the leader of his own band. With his band of four years, Micah Thomas on piano, bassist Daryl Johns and drummer Kweku Sumbry, Wilkins performed pieces from Omega as well ...
A Pair From Polish Saxophonist Adam Pieronczyk

by Dan McClenaghan
Sometimes music sits in the cellar and ages like fine wine. In 2016, Polish saxophonist Adam Pieronczyk recorded in the quartet outing I'll Colour Around It and a solo soprano saxophone recital, Oaxaca Constellation, both self-produced. These two albums rise up from those wine cellar steps in 2021, ready for consumption, spinning out sounds as intrepid ...
Mark Masters: Masters & Baron Meet Blanton & Webster

by Jack Bowers
It is an absolute pleasure to hear several of Duke Ellington & Billy Strayhorn's classic charts for Ellington's celebrated 1940-42 Blanton-Webster orchestra (named for a pair of its stars, bassist Jimmy Blanton and tenor saxophonist Ben Webster) adeptly rescored for a twenty-first century ensemble by the superlative arranger Mark Masters. And to ice the cake, the ...
Chris Pattishall: Zodiac

by Angelo Leonardi
Per il suo debutto discografico Chris Pattishall ha scelto di reinterpretare la fondamentale e misconosciuta Zodiac Suite di Mary Lou Williams. Una prova che il pianista supera brillantemente alla guida del suo quintetto, in collaborazione col produttore Rafiq Bhatia. Nelle storie del jazz Mary Lou Williams viene ricordata soprattutto per le composizioni e ...
Big 10 by Ben Webster

After yesterday's post, I decided to spend the day listening to Ben Webster. In his prime, Webster probably had the biggest sound of any tenor saxophonist. And on ballads, it sounded as if he was weeping through his instrument. Best of all, I love the puffs of air he let off in the spaces on ballads, ...
Phisqa: Pachamama

by Ian Patterson
Time has marched on since the eponymous debut of Phisqa, (Self-Produced, 2013), the band led by Peruvian drummer Cote Calmet. Then based in Dublin, Calmet placed the multinational quintet under wraps when his CEO Experiment--initially a trio, co-founded with Leopoldo Osio and Peter Erdei--started to take off. A promising debut recording, which also featured the great ...
Deodato, Ben Webster & Martin Wind

by Joe Dimino
Veteran bassist Martin Wind ushers in our 699th Episode of Neon Jazz. We also check in on a variety of musicians with 2021 releases including Marbin, Greg Abate, William Chernoff, Lage Lund, Matt DeMerritt and Tom Guarna. The show also looks back at some classic jazz that influenced modern music from cats like Slide Hampton, Kenny ...
Giant Steps: Diverse Journeys in British Jazz

by David Burke
The following is a revised excerpt from Chapter 3: Full Force Gail" of Giant Steps: Diverse Journeys in British Jazz by David Burke (Desert Hearts, 2021). In the 1980s, a new generation of black British musicians began to reconfigure the country's jazz scene, changing the face -and sound-of what had previously been a ...