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Article: Live Review

Charlotte Jazz Festival 2019

Read "Charlotte Jazz Festival 2019" reviewed by Perry Tannenbaum

by Perry Tannenbaum

Patina Miller, The Jazz at Lincoln Center Orchestra, The Future of Jazz Orchestra, Maria Muldaur, Carlos Henriquez, Paul Nedzela, and Donna Hopkins Charlotte Jazz Festival Charlotte, NC May 1-4, 2019 Presented by the Leon Levine Foundation and staged by Blumenthal Performing Arts, the Charlotte Jazz Festival is continuing to grow incrementally ...

News: Birthday

Jazz Musician of the Day: Richard "Groove" Holmes

Jazz Musician of the Day: Richard "Groove" Holmes

All About Jazz is celebrating Richard “Groove" Holmes' birthday today! Richard Arnold “Groove" Holmes, Born Richard Arnold Jackson (Camden, New Jersey) was a jazz organist who performed in the hard bop and soul jazz genre. He is best known for his 1965 recording of “Misty," and is considered a precursor of acid jazz. Holmes burst onto ...

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Article: Radio & Podcasts

Celebrating Sarah Vaughan And A New Betty Carter Recording

Read "Celebrating Sarah Vaughan And A New Betty Carter Recording" reviewed by Mary Foster Conklin

by Mary Foster Conklin

The final Sunday of Womens History Month includes new releases from Bob Dorough, Gabrielle Stravelli, Patricia Barber plus a first listen to Betty Carter's first posthumous recording of a live 1992 concert in the early days of Jazz at Lincoln Center, with birthday shout outs to legendary vocalists Sarah Vaughan, Aretha Franklin, Astrud Gilberto, and Pearl ...

4

Article: Bailey's Bundles

Ten on Cellar Live

Read "Ten on Cellar Live" reviewed by C. Michael Bailey

by C. Michael Bailey

That crafty Canadian Cory Weeds was onto something with the creation of his Cellar Live and now Cellar Music label. He reveals himself as a man for all seasons in being a confident saxophonist, music historian, and archivist with his new label Reel to Real (in cooperation with that maestro of the catalog, Zev Feldman. With ...

12

Article: Album Review

Kenny G: Playin' It Straight

Read "Playin' It Straight" reviewed by Ken Dryden

by Ken Dryden

Kenny G has been categorized as a jazz musician by record companies simply because he plays saxophone. The reality is that his style is actually banal pop consisting of repetitious melodies with short passages of bland improvisation and, occasionally, long-held notes to show off his grasp of circular breathing—a technique Clark Terry and Rahsaan Roland Kirk ...

48

Article: Radio & Podcasts

March Birthdays Including Nat Cole & Lennie Tristano Centennials

Read "March Birthdays Including Nat Cole & Lennie Tristano Centennials" reviewed by Marc Cohn

by Marc Cohn

We've got a nice slug of celebrants to honor in addition to our 'centennialins.' Our best wishes go out to Bill Frisell (playing here with Andrew Cyrille and Wadada Leo Smith), Joe Locke, Charles Lloyd, and Roy Haynes (backing Sarah Vaughan). A very special shout out to Jessica Williams! Enjoy the show! Playlist Joe ...

6

Article: Album Review

Ben Webster: Ben Webster's First Concert in Denmark

Read "Ben Webster's First Concert in Denmark" reviewed by Chris Mosey

by Chris Mosey

This is a small piece of jazz history. In January 1965, Ben Webster, newly arrived in Europe from America, was working out where to settle down. This concert shows why he decided on Copenhagen. The album starts with Webster making a point about the playing of his former boss Duke Ellington's “In A ...

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Article: Radio & Podcasts

Beyond Category - Duke Ellington in the 1930s (1931 - 1940)

Read "Beyond Category - Duke Ellington in the 1930s (1931 - 1940)" reviewed by Russell Perry

by Russell Perry

In the last hour, we heard Count Basie emerge as an exciting new voice from Kansas City. In this hour, we return to New York to follow Duke Ellington's innovative path through the 1930s as he experiments with longer musical forms while building one of his greatest bands featuring tenor player Ben Webster and bassist Jimmy ...

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Article: Under the Radar

Women in Jazz, Part 1: Early Innovators

Read "Women in Jazz, Part 1: Early Innovators" reviewed by Karl Ackermann

by Karl Ackermann

"Lil Hardin [Armstrong]...often imagined herself standing...at the bottom of a ladder, holding it steady for Louis as he rose to stardom." (Stanford Archive of Recorded Sound, 2012). “The all-female band is an anomaly in music, one that must constantly prove itself as a 'band,' and not just 'girls playing music together.'" (Mary Ann Clawson, 1999). Everything ...

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Article: Album Review

Benjamin Boone & Philip Levine: The Poetry of Jazz Volume Two

Read "The Poetry of Jazz Volume Two" reviewed by Victor L. Schermer

by Victor L. Schermer

Poetry and music are overlapping forms of expression. Poetry emphasizes the musicality of words. Music has many features of poetry including sound, syntax, and meaning. Still, only a few poets have spoken their poems in a musical context. It is hard to do effectively because speech and music have different functions: speech is about things, intentions, ...


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