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Phil Sargent: A New Day
by Mark F. Turner
Phil Sargent's A New Day is enjoyable for a number of reasons. In addition to shedding light on a highly accomplished guitarist/composer with a singular concept, it manages to avoid the pitfalls of trying to emulate the usual icons in the jazz guitar lexicon. With a modernist bent that encompasses improvisation and intelligent charts, the Boston-based ...
Andre Matos: Fantasies Realized
by William Carey
There is no doubt that André Matos has chops to burn. Placed firmly in the tradition of John Abercrombie and Pat Martino, with a bit of Sonny Sharrock at moments, a lot of Berklee (College of Music) influence is readily apparent, but with a bit of headiness that also reflects the guitarist's time at the New ...
Bill McHenry: Bloom & Narrow Margin
by Martin Longley
Ben Monder/Bill McHenryBloomSunnyside Records2010 Andrew GreenNarrow MarginMicrophonic2009 Brooklyn tenor man Bill McHenry can teeter on the lip of sonic extremity, but he's also well-versed in the art of post-Coleman Hawkins ...
Ben Monder On the Side: Brian Charette & Mika Pohjola
by Laurel Gross
Brian CharetteUpsideSteepleChase2009 Mika PohjolaNorthern SunriseBlueMusicGroup2009 There's a reason why, at Ben Monder performances, the guitar geeks sit in the first row. He is an outstanding soloist, inventive improviser and ...
Buenos Aires Jazz Festival 2009: Growing Into a Tradition
by R.J. DeLuke
Buenos Aires International Jazz Festival '09, Part 1 December 3-8, 2009In the land of the tango, Argentina--specifically the stylish city of Buenos Aires--there is a movement afoot to bring great jazz to the land, expand the audience for the music, and increase public exposure for the growing number of outstanding jazz musicians in ...
Zevious: After the Air Raid
by John Kelman
Amidst a legion of guitarists for whom chops is the end not the means, there's an alternate group of players with unrelenting skill and an avoidance of the “look at me" posing that seems endemic to the instrument, especially when it comes to more aggressive, rock-centric playing. Ben Monder's remarkable Oceana (Sunnyside), one of 2005's best ...
Labyrinth
By Ben Monder
Label: www.matchboxrecordings.co.uk
Released: 2009
Track listing:
1. Portal (1.53); 2. Micro Gravity (6.47); 3. Labyrinth (6.21); 4. Move (6.57); 5. Cloisters (10.54);
6. Aeronautics (9.41); 7. March & Combat (10.14); 8. Rothko (4.57).
Seamus Blake: Bellwether
by Robert Dugan
This is a great period for tenor players, with some of the best in our midst: Chris Potter, Jimmy Greene, Donny McCaslin, Marcus Strickland, and Seamus Blake, among others. Surfacing in the Mingus Big Band during the nineties, Blake's aggressive edginess was impressive in a group which took no prisoners. The tenor saxophonist more than held ...
Donny McCaslin: Declaration
by Tom Greenland
Declaration is tenor saxophonist Donny McCaslin's eighth solo effort, a compilation of original compositions and arrangements featuring a three- to five-horn brass section including trumpets, trombones, French horn and tuba. With Edward Simon (piano/organ), Ben Monder (guitar), Scott Colley (bass) and Antonio Sanchez (drums) making up the core band, the result is a far denser sound ...
Jacam Manricks: Labyrinth
by Eyal Hareuveni
It is quite rare to find an up-and-coming composer/musician such as Australian-born, New York-based reedman Jacam Manricks. A PhD-level composer at the Manhattan School of Music, who has already developed strong personal compositional skills on his sophomore release as a leader, his unique and elaborate compositions reveal a deep knowledge of the jazz bop legacy and ...
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