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C. Andrew Hovan's Best Releases of 2016
by C. Andrew Hovan
It is hard to believe I have been writing about jazz for All About Jazz for almost 18 years now. During that time period, vinyl was scarce as can be, only to come back recently with a vengeance. With many classic jazz recordings working their way into the area of public domain, ubiquitous CD reissues have ...
Behn Gillece: Dare To Be
by David A. Orthmann
It pays to listen to Dare To Be, Behn Gillece's second release as a leader for Posi-Tone Records, from the bottom up. Bassist Ugonna Okegwo and drummer Jason Tiemann are one of most congenial, articulate, and straightforward bass and drums team in recent memory. They're self-effacing, deeply focused and frisky. Regardless of the differences in the ...
Gwendolyn Dease: Beguiled
by Dan Bilawsky
While this fourth album from marimbist Gwendolyn Dease is rightly seeing release on the classical arm of Origin Records, it wouldn't have been completely out of place if it had landed on the jazz side of that imprint. Dease bypasses contemporary marimba fare and late twentieth century favorites from the usual suspects like Ney Rosauro, Casey ...
Behn Gillece: Dare to Be
by C. Andrew Hovan
When it comes to jazz vibraphone, the names of Stefon Harris and Warren Wolf are most likely to be found on a list of contemporary leaders. Add to that now the name of Behn Gillece, a gentleman who has been honing his skills on the New York scene since 2006. His talents first came to the ...
Michael Dease: Father Figure
by David A. Orthmann
Never underestimate a jazz musician's capacity for drawing on material from vastly different sources, deflating the ostensible dissimilarities, and producing vibrant sounds that don't hew to convention or expectations. From the music's early years, resourceful artists have been confounding audiences and critics alike by putting their stamp on anything that strikes their fancy, from gutbucket blues ...
Walt Weiskopf: The Way You Say It
by C. Andrew Hovan
For quite some time, saxophonist Walt Weiskopf had a forum for expressing his growth and development via his many albums for Criss Cross Jazz. While that fruitful partnership ended in 2010 with See the Pyramid, Weiskopf seems to have found a new home with Marc Free's Posi-Tone imprint. With three releases added to his already healthy ...
Walt Weiskopf: The Way You Say It
by David A. Orthmann
The trail leading to The Way You Say It, the latest from tenor saxophonist Walt Weiskopf, is marked by performances from superb Posi-Tone releases of recent vintage. Organist Brian Charette was the ballast of the 2015 Triple Play, a three tenor date led by Doug Webb, which featured Weiskopf. Vibraphonist Behn Gillece made significant contributions to ...
Michael Dease: Father Figure
by Dan Bilawsky
Paying it forward is simply a given in jazz. Long before the music was welcomed in ivory tower institutions and codified for classroom consumption at all levels, seasoned musicians were sharing their hard-earned knowledge with aspiring youngsters on bandstands and in basements, serving as guides, exemplars, nurturers, and teachers all at once. Those experienced players were ...
Walt Weiskopf: All About the Sound
by Bob Kenselaar
What is it that drives Walt Weiskopf? It's all about the music, all about the sound.He's reached a large audience in ten years of touring with Steely Dan. He's written a half dozen books on jazz improvisation techniques and methods, and he's taught at the Eastman School of Music, Temple University and New Jersey ...
Walt Weiskopf: The Way You Say It
by Mark Corroto
Do jazz jukeboxes exist? I'm not referring to an online streaming service that tells you what to like. I'm talking about a mechanical box in a roadhouse you put money in, and everyone in the joint listens to your selections. If there are such establishments with said jukeboxes, I'm certain customers would select WW1, WW2, WW3, ...
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