Results for "bassoon"
World-renowned multi-instrumentalist, composer, orchestrator and educator Makanda Ken McIntyre was a tireless musical innovator for nearly half a century, with 12 albums and more than 600 compositions and arrangements to his credit. His works include compositions for woodwind quartets, chamber ensembles, jazz bands, and full orchestra, as well as hundreds of lead sheets. He composed ballads, calypsos, bebop, avant-garde and the blues. Makanda was known primarily for leading his own ensembles — performing on alto saxophone, flute, bass clarinet, oboe and bassoon — and being proficient on more than 16 instruments, including bass, drums and piano
Milan Turkovic originates from an Austro-Croatian family, grew up in Vienna and became internationally known as one of the few bassoon soloists. Over the past two decades, he has become a most successful conductor, making appearances all over the world. Turkovic has conducted in Vienna, Salzburg, Graz, Milan, Venice, Florence, Rome, London, Berlin, Dresden, Munich, Prague, Krakow, Bratislava, Munich, New York, Tokyo, Nagoya, Osaka, Sao Paulo, Rio de Janeiro, Buenos Aires, Lima, Santiago de Chile and Brisbane with orchestras such as the Vienna Symphony, the Vienna Radio Symphony, Munich Radio Orchestra, Camerata Salzburg, the Orchestra di Padova, The Rome Symphony Orchestra, the Orchestra Sinfonica G
Hailed as a “bassoon virtuoso” (Chicago Reader), Dana Jessen tirelessly seeks to expand the boundaries of her instrument through original compositions, improvisations, and collaborative work with innovative artists. Over the past decade, she has presented dozens of world premiere performances throughout North America and Europe while maintaining equal footing in the creative music community as an improviser. Her solo performances are almost entirely grounded in electroacoustic composition that highlight her distinct musical language. As a chamber musician, Dana is the co-founder of the contemporary reed quintet Splinter Reeds, and has performed with Alarm Will Sound, Amsterdam’s DOEK Collective, the San Francisco Contemporary Music Players, and the Tri-Centric Ensemble, among many others
laire de Brunner first played the bassoon at the age of 14, and was soon awarded a scholarship to study with the principal bassoonist of the NY Philharmonic and to attend the Dalcroze School of Music. She later attended the High School of Music and Art where she earned a scholarship to study at North Carolina School of the Arts. She went on to study with Stephen Maxym at the Manhattan School of Music and played in various orchestras and chamber ensembles before deciding to venture beyond the classical arena. In the 1980s she answered an ad in the Village Voice, which called for a musician who loved Kafka, Captain Beefheart and Lennie Tristano, having no idea who the latter two were at that time, and shortly thereafter became a founding member of 101 Crustaceans, an integral band of the post-punk era in NYC
Sara Schoenbeck is a bassoonist who dedicates herself to expanding the sound and role of the bassoon in the worlds of classical, contemporary notated and improvised music. The Wire magazine places her in the "tiny club of bassoon pioneers" at work in contemporary music today and the New York Times has called her performances "galvanizing" and "riveting, mixing textural experiments with a big, confident sound.” Originally from California, Sara spent her time on the west coast freelancing in various orchestral bassoon sections such as Santa Barbara Symphony, California Symphony, Redlands, Mancini Orchestra, the Dakah Hip Hop Orchestra and touring as a member of creative music ensembles Gravitas Quartet with Wayne Horvitz, Ron Miles and Peggy Lee, Anthony Braxton’s 12+1(tet) and Vinny Golia’s Large Ensemble
With his many critically acclaimed award-winning recordings and live performances, Daniel Smith is the most recorded bassoon soloist in the world, with a repertoire spanning music from jazz to classical and crossover. As the only bassoonist performing and recording in both jazz and classical, his unique career has been profiled in numerous publications; described as the ‘Gerry Mulligan of the Bassoon’ in the world of jazz, and the ‘Rampal of the Bassoon’ in classical music. Daniel Smith’s historic 5 CD box set of the complete 37 Vivaldi bassoon concertos, recorded with the English Chamber Orchestra and The Zagreb Soloists, was chosen as ‘Best Concerto Recording’ of the Year’ by the Music Industry Association