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About Jesper Lundgaard
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Jesper Lundgaard
Born:
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Born 1954 in Hilleroed, Denmark.
Started to play bass at the age of 16.
Studied music at Aarhus University from 1976, and played at the
local jazzclub Tagskaegget with many American jazz-greats, e.g
Roy Eldridge, Harry Sweets Edison, Eddie Lockjaw Davis, Doug
and Jimmy Raney.
In 1978 was with the Thad Jones Mel Lewis Orchestra
doing a 3 months Europe tour.
In 1979 moved to Copenhagen, played at the
jazz clubs of La Fontaine, Slukefter, and Montmartre.
Has performed with Benny Carter, Teddy Wilson, Tommy Flanagan,
Stanley Turrentine, Joe Henderson, Chet Baker, Duke Jordan,
Michel Petrucciani, John Scofield, just to mention a few.
Has played as a member of the Thad Jones Eclipse, The Radio Jazz Group, the Ernie Wilkins Almost
Big Band, the Bob Rockwell Quartet, and the Bent Jaedig Quartet
About Buddy Catlett
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Buddy Catlett
Born:
The incredibly solid bassist Buddy Catlett has been going strong since the late '50s, appearing on more than 100 jazz recordings. He is also a multi-instrumentalist stemming from his studies as a child on clarinet and saxophone, talents he kept up throughout his career. In 1996 he tricked discographer Tom Lord into thinking there were two different guys named Buddy Catlett, one a bassist and the other a horn blower. It is of course on the former axe that this artist, born George James Catlett, is best known. Highlights of his recording career on bass include an order of "Cocktails for Two" with the Louis Armstrong band in which most of the theme is sipped as a bass solo
About Cameron Brown
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Cameron Brown
Born:
Jazz bassist, composer and educator Cameron Brown began his career in the mid-sixties, recording in Europe with George Russell and Don Cherry. These two wonderful musicians remain life-long influences and inspirations. Mr. Brown anchored some of the most important groups of the seventies, eighties and nineties, beginning in 1975. Sheila Jordan, Roswell Rudd, Archie Shepp and Beaver Harris were his mentors and bandleaders then. He has enjoyed special relationships with master drummers: Art Blakey, Dannie Richmond, Philly Joe Jones, Edward Blackwell, Idris Muhammad and Joe Chambers, as well as Mr
About Reggie Workman
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Reggie Workman
Born:
Reggie Workman has long been one of the most technically gifted of all bassists, a brilliant player whose versatile style fits into both hard bop and very avant-garde settings. He played piano, tuba, and euphonium early on but settled on bass in the mid-'50s. After working regularly with Gigi Gryce (1958), Red Garland, and Roy Haynes, he was a member of the John Coltrane Quartet for much of 1961, participating in several important recordings and even appearing with Coltrane and Eric Dolphy on a half-hour West German television show that is currently available on video (The Coltrane Legacy). After Jimmy Garrison took his place with Coltrane, Workman became a member of Art Blakey's Jazz Messengers (1962-1964) and was in the groups of Yusef Lateef (1964-65), Herbie Mann, and Thelonious Monk (1967)
About Victor Wooten
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Victor Wooten
Born:
Victor Wooten redefines the word musician. Regaled as the most influential bassist since Jaco Pastorius, Victor is known for his solo recordings and tours, and as a member of the Grammy-winning supergroup, Béla Fleck & The Flecktones. He is an innovator on the bass guitar, as well as a talented composer, arranger, producer, vocalist and multi-instrumentalist. But those gifts only begin to tell the tale of this Tennessee titan. Victor is the loving husband and devoted father of four; the youngest sibling of the amazing Wooten brothers (Regi, Roy, Rudy and Joseph), and the bassist in their famed family band; the student in the martial art of Wing Chun and the nature survival skill of Tracking; the teacher of dozens of bass players at his acclaimed annual Bass & Nature camp; and the master magician. Victor Lemonte Wooten got to music early, growing up in a military family in which his older brothers all played and sang
About Buster Williams
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Buster Williams
Born:
Buster Williams is a prodigious artist whose playing knows no limits. He has played, recorded and collaborated with jazz giants such as Art Blakey, Betty Carter, Carmen McRae, Chet Baker, Chick Corea, Dexter Gordon, Jimmy Heath, Branford Marsalis, Wynton Marsalis, Gene Ammons, Sonny Stitt, Herbie Hancock, Larry Coryell, Lee Konitz, McCoy Tyner, Illinois Jacquet, Nancy Wilson, Elvin Jones, Miles Davis, the Jazz Crusaders, Ron Carter, Woody Shaw, Sarah Vaughan, Benny Golson, Mary Lou Williams, Hank Jones, Lee Morgan, Jimmy Rowles, Hampton Hawes, Cedar Walton, Bobby Hutcherson, Billy Taylor, Sonny Rollins, Count Basie, Errol Garner, Kenny Barron, Charlie Rouse, Dakota Staton, Kenny Dorham, and Freddie Hubbard, to name a few. Mr
About Eberhard Weber
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Eberhard Weber
Born:
He began recording in the early 1960s, and released his first record, Colours of Chloë (ECM 1042), under his own name in 1973. In addition to his career as a musician, he also worked for many years as a television and theater director. He has designed an electric-acoustic bass featuring an extra C-string. His music, often in a melancholic tone, follows simple ground patterns (frequently ostinatos), yet is highly organized in its colouring and attention to dramatic detail. Weber was a notable early proponent of the solid-body electric double bass, which he has played regularly since the beginning of the 1970s. From the early 1960s to the early 1970s, his closest musical association was with pianist Wolfgang Dauner
About Doug Watkins
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Doug Watkins
Born:
Douglas Watkins was an American hard bop jazz double bassist from Detroit. An original member of the Jazz Messengers, he later played in Horace Silver's quintet and freelanced with Gene Ammons, Kenny Burrell, Donald Byrd, Art Farmer, Jackie McLean, Hank Mobley, Lee Morgan, Sonny Rollins, and Phil Woods among others. Some of Watkins' best-known work can be heard when as a 22-year-old he appeared on the 1956 album, Saxophone Colossus by tenor saxophonist Sonny Rollins, with Max Roach and Tommy Flanagan. From that session, the tunes "Blue Seven" and "St. Thomas," especially, have become revered not only as evidence of Rollins' original genius but as fine examples of Watkins' work
About Butch Warren
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Butch Warren
Born:
Butch Warren (born in 1939) was an American jazz double bassist who plays in the hard bop genre. He was especially active in the late-50s and the 1960s. Contents Warren began playing professionally at age 14 in a local Washington, D. C. band led by his father, Edward Warren. He later worked with other local groups, including Stuff Smith's, as well as with altoist and bandleader Rick Henderson at the historic Howard Theater on 7th and T Streets. In 1958, he moved to New York City to play with Kenny Dorham, appearing on his first recording, with Dorham, in January 1960 with saxophonist Charles Davis, pianist Tommy Flanagan and drummer Buddy Enlow
About Miroslav Vitous
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Miroslav Vitous
Born:
Miroslav Vitous played music with his brother Alan and Jan Hammer while attending the Prague Conservatory, and played in a Dixieland band with trumpeter/singer Jiri Jerinek. Winning first prize in an international music competition in Vienna gave Miroslav the opportunity to study in the U.S., at Berklee College of Music. It was during this time that he was asked to play in Cannonball Adderley's group, but turned it down in order to complete his studies at Berklee. In the summer of 1967, Miroslav moved to New York to get involved in the vibrant music scene of the mid-sixties. What many people may not know is that Miroslav was ranked as a top Olympic contender in free style swimming


