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19

Article: Year in Review

2020: The Year in Jazz

Read "2020: The Year in Jazz" reviewed by Ken Franckling


The COVID-19 pandemic put the jazz world in a tailspin, just like the world at large, in 2020. And there is plenty of uncertainty going into the new year about what “new normal: might emerge from the darkness. International Jazz Day, like so many other things, became an online virtual event this time around. Pianist Keith ...

Results for pages tagged "Barry Harris"...

Musician

Tomas Jochmann

Born:

Ever since his studies at the conservatory in Prague, Tomáš Jochmann has been a regular at prestigious international jazz workshops in Italy, such as Tuscia in Jazz Workshop, Barry Harris Workshop, or Ronciglione Jazz Spring. Thus, many jazz superstars rank among his teachers: Kenny Barron, Barry Harris, Aaron Parks, Dave Kikoski, Dado Moroni, or Antonio Ciacca. Throughout his musical career in the Czech Republic, Tomáš Jochmann has become one of the most distinguished and sought-after accompanists for singers in jazz as well as other genres. He has also performed in Switzerland, Germany, Egypt, Taiwan, and Vietnam

7

Article: Album Review

Joachim Mencel: Brooklyn Eye

Read "Brooklyn Eye" reviewed by Dan Bilawsky


Growing up under the weight of communism in Poland in the late '60s and early '70s, Joachim Mencel dreamed of the freedoms and wonders of America. Stateside relatives sent food parcels, offering him his first tastes of Hershey's chocolate and the inviting aromas of Maxwell House coffee; and Polish public radio station Trójka filled his ears ...

4

Article: Interview

Meet Kenny Barron

Read "Meet Kenny Barron" reviewed by Craig Jolley


From the 1995-2003 archive: This article first appeared at All About Jazz in March 2001. Jazz Education I recently retired from Rutgers University. Right now I teach piano one day a week at Manhattan School of Music. In September I'll be teaching at the new jazz program at Julliard. I've taught David Sanchez and ...

19

Article: Interview

Charles McPherson: The Art Of Teaching

Read "Charles McPherson: The Art Of Teaching" reviewed by Jim Trageser


Charles McPherson will always be known for his alto sax playing. A favorite of Hollywood director Clint Eastwood, McPherson first gained a national reputation playing in Charles Mingus' combo in the late 1950s. By 1964 he was recording as a leader (although he'd continue to perform with Mingus for another half-decade), and later re-created Charlie Parker's ...

18

Article: The Jazz Life

My Early Years With Bill Evans, Part 1

Read "My Early Years With Bill Evans, Part 1" reviewed by Chuck Israels


Bassist and composer, Chuck Israels was raised in a musical family. Paul Robeson, Pete Seeger and The Weavers were visitors to his home and the appearance of Louis Armstrong's All Stars in a concert series produced by his parents in 1948 gave Chuck his first opportunity to meet and hear jazz musicians. Chuck studied the cello ...

2

Article: Album Review

Steve Fidyk: Battle Lines

Read "Battle Lines" reviewed by David A. Orthmann


Battle Lines, the inaugural release of Steve Fidyk's Blue Canteen Music label, bears the stamp of a rhythm section capable of adroitly assuming multiple identities. During large portions of three amiable, bop-oriented tracks, “Bebop Operations," “#Social Loafing" and “Sir John," Fidyk's drums, bassist Michael Karn and pianist Peter Zak move the music along without any fuss ...

1

Article: Album Review

The TNEK Jazz Quintet: Plays the Music of Sam Jones

Read "Plays the Music of Sam Jones" reviewed by Jack Bowers


The late Sam Jones is mainly remembered as an earnest craftsman whose perceptive bass lines undergirded the likes of Cannonball Adderley, Oscar Peterson, Cedar Walton, Barry Harris, Kenny Dorham, Bobby Timmons, Bill Evans and a host of other jazz masters. Jones, however, had another special albeit lesser-known talent, one that is addressed here, almost forty years ...

13

Article: Album Review

Lee Morgan: The Sidewinder

Read "The Sidewinder" reviewed by Greg Simmons


Legend tells us that 1964's The Sidewinder was the album, and indeed the song, which saved Blue Note Records at a time when the label was struggling financially. Dashed off to fill some tape, at the end of the recording session, it peaked at number 25 on the Billboard charts—almost unheard of for a hard-bop record—stabilizing ...


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