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Evan Parker Electroacoustic Ensemble: Hasselt
by John Eyles
Evan Parker Electroacoustic EnsembleHasseltPsi2012Although Evan Parker Electro-Acoustic Ensemble had recorded five albums for ECM since 1997, in 2009 saxophonist Parker's Psi label released SET under his own name; the album was effectively by the Electro-Acoustic Ensemble, sharing its personnel, instrumentation and working methods. At the time, it seemed ...
The Grand Canyon
by Mark Corroto
Flying over the Grand Canyon on your way to Las Vegas is one way to see that huge gash in the earth, and standing on the banks of the Colorado River is another. From one perspective depth cannot be appreciated, from the other the enormity of it all. Such is the case with modern improvised music. ...
Nina de Heney: Three
by Eyal Hareuveni
Three is the third solo double bass recording of by underrated Swedish double bassist Nina de Heney, known for her collaborations with pianists (and fellow countrymen) Sten Sandell and Lisa Ullén. The title refers also to the connection between de Heney, the player ("the dancer behind the bass," as she calls it), the intimate connection with ...
Wolfram Trio: Wolfram
by Eyal Hareuveni
Wolfram Trio is a new Norwegian outfit that adds its own version to the existing European mix of acoustic free jazz and free improvisation. The trio claims its roots in the pioneering work of saxophonists Peter Brötzmann and Evan Parker, as well as bassist Barry Guy--saxophonist Albert Ayler, even--but does not demonstrate any overt reverence to ...
The Thing with Barry Guy: Metal!
by John Sharpe
The Thing with Barry GuyMetal!No Business Records2012In science, a substance which causes an increase in the rate of a chemical reaction is called a catalyst. In musical combinations, the inclusion (or sometimes even subtraction) of one player can have a similar result, often completely altering the regular dynamic. ...
Iskra 1903: Goldsmiths
by Raul d'Gama Rose
Iskra is the name of a group comprised of ingenious British improvising musicians on the very edge what is idiomatically modern. Iskra is Russian for spark," and also happens to have been the name of the paper that Lenin edited before the Russian Revolution. Add to the equation Goldsmiths, a venue for their breathless, expressive music. ...
Evan Parker / Wes Neal / Joe Sorbara: At Somewhere There
by Mark Corroto
Why, you might ask, does Evan Parker perform free jazz in trio, a format more identified with rhythm-based jazz? The answer is quite evident on At Somewhere There, a 40-minute improvisational interaction with two new partners.This trio's rhythm is supplanted by energy, animation, and a certain verve; but then, Parker has been at this ...
John Sharpe's Best Releases of 2011
by John Sharpe
Here are ten new releases and three reissues which stood out from those heard this year: Wadada Leo Smith's OrganicHeart's ReflectionsCuneiform String ensembles and fusion don't usually go together, but in AACM trumpeter Wadada Leo Smith's universe anything is possible. His Organic ensemble made its first ...
Eyal Hareuveni's Best Releases of 2011
by Eyal Hareuveni
A list that represent only the tip of many excellent releases that I have listened to in 2011. In no particular order... New Releases: Amir ElSaffarInanaPi Another great release by the excellent trumpet player and composer who weaves modal music of the Iraqi ...
Iskra 1903: Goldsmiths
by John Eyles
The years 2010 and 2011 have already been a bumper period for re-releases of '70s improvised music--notably Emanem's Teatime and Life amid the artefacts--plus unreleased Derek Bailey (on More 74, Concert in Milwaukee and Scrutables). Now, after some delay, comes Goldsmiths, which could well be the pick of the bunch. It consists of a 67-minute live ...





