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Musician

Badal Roy

Amerendra "Badal" Roy Choudhury arrived in New York in 1968 with a pair of tablas and eight dollars in his pocket. In three days he took a busboy job and then waiting positions in various Indian restaurants. Soon, instead of waiting on customers he was entrancing them with his drumming. Badal's passionate style of playing is free-flowing and always from the heart, and when Miles Davis heard him play, the superstar warmed to him and spread the word. Soon he received his big break: an invitation to record with John McLaughlin and Miles successively. Badal went on to record on Miles Davis's On the Corner, Big Fun, Agartha, Pangaea and others. Badal was one of the first Indian musicians to effectively meld Indian music and instruments with jazz and funk

Article: Interview

Lucian Ban: jazz, musica popolare della Romania e l'alter ego Mat Maneri

Read "Lucian Ban: jazz, musica popolare della Romania e l'alter ego Mat Maneri" reviewed by Neri Pollastri


Originario della Romania, sebbene da quasi trent'anni residente a New York, il pianista Lucian Ban alterna da tempo le proprie produzioni originali alla ricerca sulla musica della propria terra, quasi sempre assieme al violista Mat Maneri, con il quale forma da anni uno stretto sodalizio artistico. Dopo aver più volte parlato dei suoi album dedicati alla ...

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Article: Interview

Lucian Ban: Following Bartók's Trail Through the Transylvanian Villages

Read "Lucian Ban: Following Bartók's Trail Through the Transylvanian Villages" reviewed by Dean Nardi


It is hard to re-invent where jazz can go. Players can eschew all the conventional methods they want, but a wheel is still a wheel. This is a reason why pianist Lucian Ban's efforts to bring to light the Hungarian composer, pianist and ethnomusicologist Bela Bartók's works as a field collector of folk music in 21st-century ...

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Article: 72 Jazz Thrillers

The Most Exciting Jazz Albums since 1969: 2001-2005

Read "The Most Exciting Jazz Albums since 1969: 2001-2005" reviewed by Robert Middleton


These six jazz thrillers from the first years of the 21st-century journey to wonderful and exotic locations with music that moves and grooves. All six albums feature influences from Middle Eastern, African, and Asian traditional music. They are all very visual in that they conjure up exotic vistas and locations, such as caravans and oases in ...

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Article: Live Review

Miles Davis Celebration at SFJAZZ Center

Read "Miles Davis Celebration at SFJAZZ Center" reviewed by Harry S. Pariser


Music of Miles Davis: A Celebration SFJAZZ Center San Francisco, CA May 25-29, 2023 Music of Miles Davis: A Celebration For four consecutive nights, four different ensembles graced the stage of SFJAZZ Center to present four aspects of the musical legacy of renowned trumpeter Miles Davis The evenings also featured compositions ...

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Article: Year in Review

2022: The Year in Jazz

Read "2022: The Year in Jazz" reviewed by Ken Franckling


Current events impacted the jazz world in significant ways throughout 2022. In its third year, the coronavirus pandemic continued to lurk in some settings, while others recovered in robust fashion. Russia's war on Ukraine was felt by musicians and triggered an outpouring of support for its victims. Initiatives to ensure greater equity in jazz advanced. The ...

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Article: Interview

Zakir Hussain: Making Music, Part 2-2

Read "Zakir Hussain: Making Music, Part 2-2" reviewed by Ian Patterson


Part 1 | Part 2 It seemed inevitable that Zakir Hussain would collaborate with jazz musicians as the '70s unfolded. Jazz had been sidling up to Indian classical music gradually since the early '60s. In 1962, Gary Peacock and Bud Shank played on Ravi Shankar's album Improvisations (World Pacific), although this was ...

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Article: Album Review

Lonnie Liston Smith & The Cosmic Echoes: Expansions

Read "Expansions" reviewed by Chris May


If ever a first wave jazz-funk album deserved a 180gm vinyl reissue in 2020 it is this near masterpiece. It was originally released in 1975 on Flying Dutchman, the label Bob Thiele set up after he left Impulse!. Jazz-funk divided the jazz world in the 1970s as much as free-jazz had done a ...

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Article: Building a Jazz Library

Bob Thiele's Flying Dutchman Records: Ten High Altitude Albums

Read "Bob Thiele's Flying Dutchman Records: Ten High Altitude Albums" reviewed by Chris May


Bob Thiele is best remembered for his years as the artistic director and house producer of Impulse!. He took over from founder producer Creed Taylor in 1961 and stayed with the label until 1969, when he left to run his own Flying Dutchman Records. Thiele's tenure at Impulse! was its most glorious period, when Thiele curated ...

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Article: Interview

Jon Hassell: Words with the Shaman

Read "Jon Hassell: Words with the Shaman" reviewed by Chris May


Jon Hassell is best known as the creator of Fourth World music, an acoustic-electronic blend of jazz, minimalism, drone, ambient, traditional African and Asian instruments and harmolodic signatures. Hassell has defined Fourth World as “serious music with transcultural appeal and a smile." He unveiled the concept on his debut album, Vernal Equinox (Lovely Records), in 1977. ...


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