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Bad Luck

Over half a decade after their first performance, drummer Chris Icasiano and saxophonist Neil Welch continue to develop a unique musical voice together. Bad Luck has become a sonic outlet to be reckoned with. In the highly trodden medium of drums and saxophone, Bad Luck proves that there is much left to be said. Called “One of the best Seattle jazz recordings in years” (Earshot Jazz) Bad Luck was awarded the “Best Outside Jazz Group” of 2009 by Earshot Magazine, and a finalist for “Best Avant Group” in the 2009 Inside Out awards. Performing all original compositions, the pair use live loops and pedals to create an astounding range of sound

ARTICLE: PROFILE

20 Seattle Jazz Musicians You Should Know: Christopher Icasiano

Read "20 Seattle Jazz Musicians You Should Know: Christopher Icasiano" reviewed by Paul Rauch

The city of jny: Seattle has a jazz history that dates back to the very beginnings of the form. It was home to the first integrated club scene in America on Jackson St in the 1920's and '30s. It saw a young Ray Charles arrive as a teenager to escape the nightmare of Jim Crow in ...

ARTICLE: ALBUM REVIEW

Bad Luck: Four

Read "Four" reviewed by Ian Gwin

For over a decade, Seattle-based duo Bad Luck—that's Neil Welch (saxophones, electronics) and Chris Icasiano (drums)—have packed and unpacked their deceptively simple formula of drums and saxophone. Through their deep musical partnership, they continue to recast the mold of contemporary music. Over countless fiery performances and three full-length releases, the depth of the duo's compositional improvisations ...

Four

Label: Origin Records
Released: 2018
Track listing: Four; R.B.G.; Index; Capital; Bends; Big Sky.

TRACK OF THE DAY

R.B.G.

Album:
By
Label: Origin Records
Released: 2018
Duration: 11:48

MUSICIAN Born:

Christopher Icasiano

Chris Icasiano is quickly establishing himself as a force in Seattle's new music and avant-garge jazz scene. He performs regularly in the co-led duo Bad Luck with long-time friend and collaborator, saxophonist Neil Welch, which was recently awarded the 2009 Alternative Jazz Group of the Year by Earshot Jazz. Bad Luck's self-titled debut album was received with much critical acclaim and has been described as, "...one of the finest Seattle Jazz recordings in years - fresh, assured, mature way beyond it's players' ages." (Peter Monaghan, Earshot Jazz). Icasiano is also a member of the progressive avant-jazz group Speak, which features many of Seattle's most forward-looking, innovative, and creative musicians, focusing predominantly on original composition and collective improvisation

ARTICLE: INTERVIEW

Jon Armstrong: Limitless Enthusiasm

Read "Jon Armstrong: Limitless Enthusiasm" reviewed by Fiona Ord-Shrimpton

Of those jazz men who are still left (of course today is a new day and jazz is dying again), the Jon Armstrong Jazz Orchestra's debut album Farewell, is something new to say hello to. The end is the beginning you know. Jon Armstrong has a (so-far) limitless enthusiasm for being in the thick of music, ...

ARTICLE: INTERVIEW

Ross Hammond: Holding onto the Wave

Read "Ross Hammond: Holding onto the Wave" reviewed by Troy Collins

Sacramento-based guitarist Ross Hammond has been steadily gaining attention, courtesy of a tireless performing schedule reinforced and documented by a series of diverse albums issued on his own Prescott Recordings imprint. Hammond's releases have featured a variety of instrumental lineups, ranging from lyrical solo recitals to frenetic collective improvisations. His most recent endeavor is Cathedrals (Prescott ...

Bloodroot

Label: Table and Chairs Music
Released: 2012

ARTICLE: ALBUM REVIEW

Bad Luck: Bloodroot

Read "Bloodroot" reviewed by Dave Wayne

Available as a download only, Bad Luck's Bloodroot is a fine example of the extremely powerful and virtuosic, cutting-edge music coming out of Seattle these days. Sure, drummer Chris Icasiano and saxophonist Neil Welch make an unholy racket for much of the track's generous twenty-plus minutes duration, yet a determined sense of focus is quite palpable: ...


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