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Fire! Orchestra: Exit!
by John Kelman
Sometimes it's best not to predict. If the idea of expanding Fire!'s core trio of saxophonist/electric pianist Mats Gustafsson, bassist Johan Berthling and drummer Andreas Werlin into Fire! Orchestra's massive, 28-piece behemoth was based on the trio's extant discography-- You Liked Me Five Minutes Ago (Rune Grammofon, 2009), Unreleased (Rune Grammofon, 2011), and In the Mouth ...
Ingebrigt Håker Flaten: Live at Jazzfest Saalfelden
by Mark Corroto
Of the twelve current projects in which bassist Ingebrigt Håker Flaten works, his Chicago Sextet is the one that, perhaps, most foretells his future as a jazz impresario. Like bassist Dave Holland, who made his reputation with trumpeter Miles Davis and in the band Circle, before championing (almost exclusively) his own bands both large and small, ...
Close Encounters Of The Skronky Kind
by Eyal Hareuveni
Paal Nilssen-Love is one of the hardest-working musicians in the European free jazz and free improvisation scenes. Amongst his near-countless activities, the Norwegian drummer collaborates on a regular basis with Chicago reed multi-instrumentalist Ken Vandermark, in their ongoing duo, in the Double Cement trio and Lean Left quartet, as a member of Peter Brötzmann's Hairy Bones ...
Cortex: Göteborg
by Eyal Hareuveni
Norway's Cortex released its highly promising debut, Resection (Bolage), in 2011. The members of this high-octane quartet met during jazz studies in Trondheim, and began working as a band in 2007. Cortex follows the free jazz legacy of Ornette Coleman quartet with trumpeter Don Cherry, spicing it with wise, original compositions and uncompromising performances inspired by ...
Tva For Tommy: Tva For Tommy
by Eyal Hareuveni
Behind the odd name Två För Tommy (Two for Tommy in Swedish) stand three of the best Swedish improvisers: reed player Fredrik Ljungkvist, a founding member of the acclaimed Norwegian-Swedish quintet Atomic; vibraphonist Mattias Ståhl, who leads his own bands, Ståhls Blå and Ståhls Trio, and has collaborated with countless other outfits; and double bassist Patric ...
Anders Jormin: Ad Lucem
by John Kelman
It may be frustrating when an artist releases albums infrequently, but when quality trumps quantity all is forgiven. Swedish bassist Anders Jormin's discography as a leader remains small--just eleven records as a leader since his auspicious 1988 Dragon debut, Eight Pieces. Still, with a high profile résumé sporting fellow ECM label mates such as pianist Bobo ...
Side A: A New Margin
by Mark Corroto
It is quite rare to hear multi-reedist Ken Vandermark record or perform with a pianist, the reason being that, back in the day (the early 1990s), his brand of new Chicago jazz was presented much like the hardcore punk scene of the previous decade--out of the back of a van. Like Henry Rollins and Black Flag, ...
Ola Kvernberg: Liarbird
by John Kelman
It may have seemed that recruiting American saxophonist Joshua Redman for the live premiere of Liarbird--a joint commission by the Trondheim and Molde Jazz Festivals in Norway--was the musical equivalent of a ringer in sports. But it wasn't long into Ola Kvernberg's ambitious Molde Jazz 2010 performance, as the violinist launched into the first of many ...
The Thing, London, October 4, 2011
by John Sharpe
The ThingCafe Oto,London, UKOctober 4, 2011 Back in London for the second time in under a year, The Thing held court in north London to a Cafe Oto rammed with a gratifyingly young crowd. When the Scandinavian trio, comprising the Norwegian rhythm pairing of drummer Paal Nilssen-Love and bassist Ingebrigt Håker ...
Flaten/ Kornstad/ Christensen: Mitt Hjerte Altid Vanker I: Live At Oslo Jazz Festival
by Mark Corroto
If folk music is music of “the people," then certainly adding the designation of “jazz" is a redundancy. When a jazz trio such as that of bassist Ingebrigt Håker Flaten, saxophonist Håkon Kornstad and drummer Jon Christensen performs traditional Norwegian folk music, it is both reaffirming the oral (or aural) tradition of the music and the ...
