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Arto Lindsay

3

Article: Interview

Gli Unscientific Italians e l'arte della meta-sintesi Friselliana

Read "Gli Unscientific Italians e l'arte della meta-sintesi Friselliana" reviewed by Ludovico Granvassu


Se Nanni Moretti fosse nato nel 1973 invece che nel 1953, la famosa scena di Caro Diario che lo vede in sella ad un vespone per le strade vuote di una languida Roma ferragostana avrebbe avuto come colonna sonora la musica di Bill Frisell piuttosto che quella di Keith Jarrett. Perchè ogni epoca viene definita da ...

1

Article: Festivals Talking

Moers Festival Interviews: Julien Desprez

Read "Moers Festival Interviews: Julien Desprez" reviewed by Martin Longley


It might seem that the Parisian guitarist Julien Desprez has made a recent storming of the jazz and improvisation scenes. He did make lightning moves and sounds at Jazzfest Berlin and the Moers Festival in 2018 and '19, but Desprez was active nearly a decade ago—though enjoying a much lower profile. He even toured the UK ...

3

Article: Radio

The Bill Frisell Songbook: Part 2

Read "The Bill Frisell Songbook: Part 2" reviewed by Ludovico Granvassu


Bill Frisell's instrumental voice is instantly recognizable, whether displaying its skronky side in John Zorn's Naked City or his sublime and delicate voicings infused of high-end Americana. Equally distinctive are his compositions which more and more of his peers have been incorporating into their repertoires, in a process of metabolization that goes back to the 1990s ...

3

Article: Album Review

Fred Frith & Ikue Mori: A Mountain Doesn’t Know It’s Tall

Read "A Mountain Doesn’t Know It’s Tall" reviewed by Mark Corroto


Have you experienced a performance of John Cage's composition “4:33"? If you are not familiar, while studying Zen Buddhism, Cage wrote “four minutes, thirty-three seconds" to be performed solo or in any combination of instruments or players. The instructions were for the performers to NOT play their instruments for the allotted 273 seconds. Their 'silence' was ...

6

Article: Album Review

Kyoko Katsunuma + Jun Miyake: Colomena

Read "Colomena" reviewed by Friedrich Kunzmann


From collaborating with the likes of Arto Lindsay (Ambitious Lovers), Caetano Veloso or Ichiko Aoba, through contributing to the Wim Wenders' 2011 Piana Bausch documentary soundtrack or providing the score to Joseph Ceder's 2016 feature film Norman, to even composing the music for Mercedes-Benz commercials, Japanese composer/trumpeter Jun Miyake's creativity seems inexhaustible. After compiling and producing ...

1

Article: Radio

Kassa Overall: Living in the Cut between Jazz and Hip Hop

Read "Kassa Overall: Living in the Cut between Jazz and Hip Hop" reviewed by Leo Sidran


Drummer, rapper and producer Kassa Overall speaks about the intersection of jazz and hip-hop, the importance of getting “comfortable with being bored so you can get better at your instrument," the relationship between great drumming and the sounds of nature, how growing up far away from the “scene" gave him a strong sense of personal identity, ...

Article: General Articles

Tutto Monk: l'omaggio di Miles Okazaki

Read "Tutto Monk: l'omaggio di Miles Okazaki" reviewed by Giuseppe Segala


Monk con la chitarra? Perché no. Si era posto la stessa sferica domanda Elliott Sharp pochi anni fa, registrando in solo con l'acustica l'album Sharp? Monk? Sharp! Monk! per l'etichetta Clean Feed. Si trattava di una scelta di cinque brani, elaborati con il criterio della lunga divagazione e riflessione geniale. Inoltre, il discorso era stato affrontato ...

2

Article: Live Review

Moers Festival 2018

Read "Moers Festival 2018" reviewed by Martin Longley


Moers Festival Moers, Germany May 18-21, 2018 The long-established Moers Festival has undergone several changes in recent years. Its distinctive circus top tent was retired in 2013, making way for a custom-designed Halle to house most of the main concerts. Then, two years ago, the festival director and programmer switched ...

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Article: Album Review

Michael Leonhart: The Painted Lady Suite

Read "The Painted Lady Suite" reviewed by Angelo Leonardi


A trent'anni esatti dalla scomparsa di Gil Evans, la sua lezione orchestrale rivive e si alimenta di nuove suggestioni. Il sorprendente e straordinario debutto della Michael Leonhart Orchestra rinnova un'estetica che in questi decenni ha ispirato Maria Schneider, in parte Darcy James Argue e alimentato la ricerca filologica e la rielaborazione di Ryan Truesdell.


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