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New Faces - New Sounds
by C. Michael Bailey
In the early 1950s, Blue Note Records introduced new artists in the label's series New Faces -New Sounds. It highlighted such young artists as Horace Silver (1952); Lou Donaldson (1952); Elmo Hope (1953); and Frank Foster (1954). All of these recordings were released as part of Blue Note Record's 5000 Modern Jazz Series, all on 10-inch ...
A Garland of Red
by C. Michael Bailey
Like pianist Wynton Kelly and Kelly's debut recording New Faces -New Sounds (Blue Note, 1951), William McKinley Red Garland performed for years as a sideman before releasing his first recording as a leader, A Garland of Red. Originally from Dallas, Texas, Garland migrated to New York City after a stint with Hot Lips Page in 1946. ...
Freddie Hubbard: Open Sesame
by Chris May
Blue Note's two 180gm vinyl-reissue series--Blue Note 80 and Tone Poet--continue on their enigmatic going on erratic, but mostly magnificent paths. Tone Poet is billed as the audiophile option but, on a fairly limited sampling of both series, there seems to be little, if anything at all, separating the two in audio terms. The key difference ...
Tina Brooks Quintet: The Complete Recordings
by Chris May
Mosaic Records' spring 2020 release The Complete Hank Mobley Blue Note Sessions 1963-70, the second of the label's box sets devoted to the copiously recorded (and rightly so) Hank Mobley, prompts thoughts of another of Blue Note's singular hard-bop tenor saxophone stylists. Unlike Mobley, Tina Brooks was woefully under-recorded, making just four albums under his own ...
Results for pages tagged "Art Taylor"...
Art Taylor
Born:
One of the premier hard bop drummers of his era, by 1948 while still a teenager in Harlem, Art Taylor had played drums in church with Jackie McLean and Sonny Rollins. He also played with Howard McGhee and other young bop musicians in New York. In the early 50s he was also to be heard in mainstream groups, playing with Buddy De Franco and Coleman Hawkins. He continued to play with leading beboppers, including Bud Powell, and Art Farmer. Later in the decade was with Miles Davis and John Coltrane. From time to time he led his own bands, notably Taylor’s Wailers, and toured the States and Europe with Donald Byrd, and did a short stint with Thelonious Monk in 1959
Blue Note's 80th Anniversary Vinyl Initiative
by Patrick Burnette
Blue Note moves in mysterious ways. It seems like only a few months ago that the storied jazz label announced its Tone Poet vinyl series, because, well, it was only a few months ago, and here they are with yet another entry in the vinyl reissue game: the Blue Note 80th Anniversary Series. Like the Tone ...
John Coltrane: Coltrane '58: The Prestige Recordings
by Mike Jurkovic
Sure these 37 tracks, predominantly standards, blues, and ballads have been released before on such earlier, pre-iconoclast recordings as Black Pearls, Soultrane, Bahia, and Setting The Pace, (Prestige, 1958) but never as chronologically curated as they are presented here on Coltrane '58: The Prestige Recordings. Certainly an argument can be made that they may ...
Various Artists: Nicola Conte presents Cosmic Forest: The Spiritual Sounds of MPS
by Chris M. Slawecki
A labor of love, Cosmic Forest was compiled by Italian musician, producer and DJ Nicola Conte to both revisit and present to a new audience Conte's favorite “spiritual jazz" recordings from MPS Records' 1965--'75 catalog. Eight of these thirteen pieces came from albums released as part of the MPS label's mid-1970s “Jazz Meets the World" series ...
Put It Where You Want It (But Find It Where You Put It)
by Chris M. Slawecki
Hip Spanic All-Stars Old-School Revolution Self-Produced 2018 If you think that Old School Revolution sounds both familiar and new, you're right. In the late 2000s, bassist and singer Happy Sanchez, saxophonist Norbert Stachel (Tower of Power), percussionist Karl Perazzo (a longstanding member of Santana), ...
Johnny Griffin: At Onkel Pö's Carnegie Hall
by Stefano Merighi
Quando queste tracce vengono registrate ad Amburgo, nel 1975, il jazz è forse nel suo momento più critico, abbandonato da ampie fette di pubblico, sedotto o dalla più muscolare fusion o dal rock progressivo. A dispetto della nascita di decine di nuove formazioni e dell'incremento delle produzioni discografiche, specie negli Usa si era perso quel senso ...
