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Mike LeDonne: Where There’s Smoke
by Bob Kenselaar
Mike LeDonne has more than made his mark in jazz over the years, on both piano and organ. One of the New York jazz scene's premier instrumentalists, he's long been a favorite of fellow musicians. “He is incredible," said the late Oscar Peterson, who once described how he would rush to hear LeDonne play every night ...
Montreal Jazz Festival: Montreal, Canada, June 28-July 7, 2012
by Greg Thomas
Festival International de Jazz de MontréalMontréal, CanadaJune 28-July 7, 2012From the time of the airplane's descent to the airport in Montréal, I knew something was different and perhaps special about this place. Instead of a square or rectangular grid style of suburban housing plots, from my window I saw circular formations of housing, ...
Jessica Williams: Songs of Earth
by Dan McClenaghan
Jessica Williams, with her last four CDs on Origin Records, is like a butterfly coming out of its cocoon. Earlier in her career, Williams--who once held the piano chair in drummer Philly Joe Jones band--wrapped her artistry in the Great American Song on Some Ballads Some Blues (Red and Blue, 1999), along with stellar tributes to ...
The Jazz Standards: A Guide to the Repertoire
by Ted Gioia
This article appears in the prologue of The Jazz Standards A Guide to the Repertoire by Ted Gioia (Oxford Univ. Press, 2012).Introduction When I was learning how to play jazz during my teenage years, I kept encountering songs that the older musicians expected me to know. I eventually realized that there were ...
Bill Evans: Live At Art D'Lugoff's Top of The Gate
by C. Michael Bailey
Why is pianist Bill Evans so important to jazz? it is simple: every pianist to hear and perform after him was influenced by him. Art Tatum and Oscar Peterson may have been technically more brilliant and extroverted, but it took first Bud Powell and then Evans to turn the creative tables toward the muted and introverted, ...
Dave Brubeck: The Inspired Moment of Unity
by Bob Kenselaar
[Standing tall with a flowing salt-and-pepper mane, Dave Brubeck had a broad smile and was quick to laugh when I met him in the fall of 1978 at publicist Peter Levinson's New York office for this interview. He was enjoying his tour with the New Brubeck Quartet, the group he formed with his sons. He reminisced ...
Chick Corea & Gary Burton: Hot House
by John Kelman
With a partnership lasting longer than most marriages, pianist Chick Corea and vibraphonist Gary Burton know what it takes to keep things fresh. Since the release of Crystal Silence (ECM, 1973), they have toured virtually every year, but record far less frequently, with only six albums to their credit, most recently The New Crystal Silence (Concord, ...
Ahmad Jamal: Blue Moon
by Larry Taylor
In 1958 Pianist Ahmad Jamal burst on the scene with At the Pershing: But Not for Me (Argo Records), which contained the runaway hit “Poinciana." The song's impact was such that it remains Jamal's signature tune to this day. As sometimes comes with popular success, some jazz critics pulled back, but his championing by other musicians, ...
Peter Appleyard And The Jazz Giants: The Lost 1974 Sessions
by Hrayr Attarian
A gem of a discovery, vibraphonist Peter Appleyard's The Lost 1974 Sessions is an important record, both artistically and a historically. Appleyard assembled most of clarinetist Benny Goodman's group in RCA's Toronto studios for a one of a kind opportunity when band in town for a concert. He called the ad hoc band the Jazz Giants, ...
Todd Clouser's A Love Electric: 20th Century Folk Selections
by Mark Corroto
More than rock musicians and more than blues artists, jazz musicians carry the greatest burden of musical legacy. There are not stories about a contemporary rock musician who dedicates his career to mastering The Beatles catalog, or of the one who's playing is paralyzed because she cannot deal with Jimi Hendrix's solos. Nope. Only in jazz ...
