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Alexander Hawkins
by Paolo Peviani
Il tratto principale della mia musica È molto difficile rispondere ma spero che, in qualche modo, il tratto principale della mia musica corrisponda al tratto principale di me stesso. La qualità che desidero nei musicisti che suonano con me Gioia, apertura, generosità, e che non abbiano paure nel fare musica.
Richie Buckley With The Scott Flanigan Trio @ The Sunflower, Belfast
by Ian Patterson
Richie Buckley With The Scott Flanigan Trio The Sunflower Belfast, N. Ireland February 8, 2017 “We have a bit of a surprise for you for you," The M.C. and promoter David Gould told the audience who had packed the upstairs bar of The Sunflower, in anticipation of Irish saxophone legend Richie ...
Matt Mitchell: Forage
by Dan McClenaghan
Alto saxophonist Tim Berne could have been called, at the dawn of the new millennium, the American artist least likely to join the ECM Records roster. The thought here was that Berne's relentless momentum and frequent agitation and flat out wild man brazenness wouldn't fit in well enough with the European impressionism/Nordic cool approach (a definite ...
Enoch Smith Jr.: The Quest: Live at the A.P.C.
by Jim Trageser
The Church has long been a cornerstone of African-American cultural identity, as well as musical inspiration. Gospel is the third leg of African-American music, coming of age alongside jazz and blues in the early part of the 20th Century. Pianist Enoch Smith Jr. has managed to keep feet in two of those worlds. As ...
I classici Xanadu - Seconda parte
by Angelo Leonardi
In questo nuovo blocco di riedizioni Xanadu, pubblicate dalla Elemental, dopo la puntata dedicata ai sassofonisti, ci occupiamo soprattutto di pianisti, ovviamente legati alla scuola bop secondo le preferenze stilistiche del produttore Don Schlitten: Kenny Drew, Dolo Coker e Barry Harris. Questi non sono leader in tutti i dischi ma il loro contributo è sempre centrale. ...
Matthew Shipp: Let's Do Lunch!
by Yuko Otomo
When Matthew Shipp asked me to design the cover art for his Points album (Silkheart Records, 1992), I showed him works from the on-going drawing study I was engaged in. He picked one graphite drawing and said, “Wow! This is exactly what's happening inside my mind when I play the piano!" Here, we talk ...
Three Sounds: Groovin’ Hard - Live at the Penthouse 1964 - 1968
by C. Michael Bailey
Pianist Gene Harris was a durable jazz force from the beginning of his career as leader of the soul-jazz trio, The Three Sounds in the mid-1950s until his death in 2000. He described himself as “a blues pianist with chops" and that is as good a description as can be had. He had a piano style ...
Stan Levey: Jazz Heavyweight
by Chuck Koton
Stan Levey: Jazz Heavyweight Frank R. Hayde 224Pages ISBN: #13978-1-59580-086-2 Santa Monica Press 2016 When one thinks of Bebop, the names Bird and Dizzy along with Monk, Max and Bud immediately pop up. In the mind's eye, one can see those classic Herman Leonard jazz photos of these Cats ...
Peter Saltzman: Blues, Preludes and Feuds
by Geannine Reid
Solo piano albums have the special place in the cannon of improvised music as a mode of presentation and holds an honored place in jazz; the history could even be traced to music predating the origins of the genre. In mechanical terms, it has not changed, one musical artist sitting at the piano for well over ...
"A Multitude of Angels" di Keith Jarrett Secondo Stefano Battaglia
by Stefano Battaglia
La ECM ha appena pubblicato A Moltitude of Angels, un cofanetto di quattro dischi che documentano altrettante staordinarie performance solistiche di Keith Jarrett registrate in Italia nel 1996. Ne abbiamo approfittato per chiedere ad uno dei principali pianisti italiani, Stefano Battaglia, una riflessione su questo ambizioso progetto discografico. Quello che Battaglia ci ha inviato, ...
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