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Ron Carter: The Paragon of Bass Virtuosity

by Jim Worsley
Some half a century ago, iconic bassist Ron Carter had already dynamically impacted the jazz world with his advanced rhythmic cadences and his artistic vision with the second great Miles Davis quintet. The sumptuous and indelible mark that Carter and his bandmates left on jazz history is well-documented. An educated, articulate and determined man, Carter's journey ...
Sonny Buxton: Strayhorn’s Last Drummer, A Radio Master Class Mid-Day Saturdays

by Arthur R George
Sociologist, anthropologist, historian: storyteller, raconteur, entrepreneur and griot, in the guise of a deejay. Registrar, dean, professor: The jazz class of Sonny Buxton is barely concealed as entertainment within his weekly radio program every Saturday 10 a.m. to 2 p.m. Pacific time on San Francisco Bay Area FM station KCSM 91.1, streaming live on kcsm.org.
Art Farmer on Prestige: 1953-'55

Much attention by jazz fans has been paid to the Blue Note label, and deservedly so. But the first half of the 1950s really belongs to Bob Weinstock and Prestige. While Prestige album 10-inch covers weren't as beautifully designed as those by Paul Bacon at Blue Note, the music released on Prestige between 1951 and 1955 ...
Ted Rosenthal: Dear Erich, A Jazz Opera

by Ken Dryden
Ted Rosenthal is one of the most renowned pianists of his generation. He won first prize at the second Thelonious Monk International Jazz Piano Competition and has been awarded several NEA grants as a composer. Well known as the pianist in Gerry Mulligan's final quartet, Rosenthal has recorded or performed with many other artists, including Bob ...
Modern Art

By Art Farmer
Label: Jazz Images
Released: 2018
Track listing: Mox Nix; Fair Weather; Darn that dream; The touch of your lips; Jubilation; Like someone in love; I love you; Cold breeze; Whisper not; You're my thrill; It never entered my mind; Stratusphunk; The last day of fall; Yesterdays; The end of a love affair; Sing song; La rue;
Fred Hersch Trio '97: Fred Hersch Trio '97 @ The Village Vanguard

by Dan McClenaghan
Pianist Fred Hersch paid some dues at the Village Vanguard, sitting in as a sideman there from 1979 on, playing with the bands of saxophonist Joe Henderson, trumpeter Art Farmer, alto sax man Lee Konitz, and bassist Ron Carter. But he waited until 1997 to make his debut as a leader. That debut was captured on ...
Steve Kuhn Trio: To and From the Heart

by Peter J. Hoetjes
Now an octogenarian, Steve Kuhn's career has in 2018 spanned nearly sixty years, never having a long lull of time without recording new music. It becomes something of a marvel then that after all this time, the pianist still finds something new to say; he is still able to surprise listeners with songs they don't expect ...
CTI on BGO

by Jakob Baekgaard
"It was the best of times, it was the worst of times." The echo of Charles Dickens' famous novel A Tale of Two Cities is suitable to describe the climate of jazz when Creed Taylor launched CTI. It was 1970 and acoustic jazz was in crisis. Following the invasion of rock, it had survived by becoming ...
Poetry and Jazz: A Chronology

by Duncan Heining
My intention here is to offer a detailed but inevitably incomplete chronology of poetry and jazz. The focus is solely on the combination of the two art forms in performance, not on poetry about jazz or jazz musicians or poetry inspired by jazz but not performed to music. My definition of 'poetry' is fairly broad and ...
Val Wilmer: Dues And Testimony

by Ian Patterson
Free-jazz, which marked the first revolution in jazz since bebop, and, some might say, the most significant revolution in the entire history of the music, was controversial and divisive. Still today, over half a century later, free-jazz is sometimes dismissed out of hand as just so much noise, or worse, finds itself simply airbrushed from the ...