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Muhal Richard Abrams / Roscoe Mitchell: Spectrum
by Kurt Gottschalk
Muhal Richard Abrams and Roscoe Mitchell are arguably the two figures most central to the birth and rearing of the seminal '60s collective the Association for the Advancement of Creative Musicians (AACM). The organization was borne out of Abrams' Experimental Band and the first standing group to emerge from it was the Roscoe Mitchell Art Ensemble ...
Steve Colson: Doing Jazz Justice
by Gordon Marshall
As well as being a great music educator, Steve Colson is one of the most versatile jazz pianists of the last forty years, with a grasp of idioms ranging from swing to free, and from European romanticism to new music. What's more, he is a master of compression, incorporating these sources into solos and compositions with ...
Joseph Jarman, Bob Wilber, Charles McPherson & Vinny Golia
by Martin Longley
Joseph Jarman/The Peter Apfelbaum New York Hieroglyphics QuintetBelarusan ChurchMarch 7 In the search for ever-more unusual venues, I journeyed to the Belarusan Church on Atlantic Avenue in Brooklyn, the current home of Connection Works. This is an artist-operated, non-profit organization that divides its resources between gigs and workshop activities, ...
2010 Portland Jazz Festival
by Lloyd N. Peterson Jr.
The Portland Jazz Festival is now in its 7th year under the artistic direction of Bill Royston. And at this point, it's pretty safe to say that this is a festival that has earned it's due as one of the most creative festivals that has not only survived the current economic downturn but has done so ...
Blues Speak: The Best of the Original Chicago Blues Annual
by Chris May
Blues Speak: The Best of the Original Chicago Blues Annual Lincoln T. Beauchamp Jr. (editor) 192 pages ISBN: 978-0-252-03440-4 cloth ISBN: 978-0-252-07692-3 paper University of Illinois Press 2010 Launched at the 1989 Chicago Blues Festival, Original Chicago Blues Annual was ...
Monkadelphia: All Monk, All the Time
by Victor L. Schermer
Over the past several years, there has been a revival and reconsideration of the music of Thelonious Monk. No one embodies this trend better than Monkadelphia, a group of Philadelphia-based jazz musicians who play his music exclusively--a difficult challenge which they embrace with vitality, panache, and sophistication. With Chris Farr on saxophone, Tony Miceli on vibes, ...
Anders Nilsson´s AORTA Ensemble: Anders Nilsson's AORTA Ensemble
by Eyal Hareuveni
Swedish-born, Brooklyn-based guitarist Anders Nilsson unites two of his working ensembles into his dream project. The Swedish, Malmo-based AORTA and the New York-based Fulminate Trio first played together during Kopasetic Productions' KopaFest in Malmo in 2008. Both groups fulfill beautifully Nilsson's vision and create orchestral, open-ended, multidimensional, improvised music that references the great 1970s fusion bands, ...
Royal Hartigan: Blood Drum Spirit
by Karl Ackermann
Good things sometimes fly under the radar; sometimes they are great things. This has never been more the case than with Royal Hartigans's Blood Drum Spirit, a jazz masterpiece that has languished in obscurity since its 1993 recording to its eventual 2004 release. It remains largely unrecognized six years later. Jazz, especially in the US, can ...
Roscoe Mitchell / David Wessel: Contact
by John Sharpe
While esteemed reedman Roscoe Mitchell has appeared in any number of challenging settings, this marks his first documented encounter with electronics. Not that this is a recent move, more that the fruits of his collaboration with David Wessel have not seen the light of day until now. They first met back in 1968 when Mitchell, along ...
John Geggie: Unexpected Conversations
by John Kelman
Most cities have them: musicians who act like a lightning rod, focusing and driving their jazz scenes. In Ottawa, Canada, bassist John Geggie has been one of those significant focal points for two decades, but in particular over the past ten years. He's one of the founding organizers and faculty members of Jazzworks which, amongst other ...
